Music from the Earliest Notations to the Sixteenth Century

“surge songs,”, 27

Sur toutes flours (ballade), ars subtilior puzzle-notation, 345

Susato, Tylman, 589 , 593 , 597 , 598 , 709 , 712 , 714

“Swanee River” (song), 18

Swiss German reformed church, 755

Sy dolce non sonò con lir’ Orfeo (Landini), 374 –78, 380 , 384

syllabic notation, 39 , 41 , 60

conductus   and,     201

motet   and,     210 ,   214 –17

voces   musicales   and,     499

syllabic performance, 115

Kyrie,   58 –59,     101

syllabic text,

conductus   and,     199 –205,   209 ,   211

discant and,     209

Gloria  and Credo   and,     311

syllable,

declamation and,     566 ,   567

line    length  and,     44 ,    175

meter   classification  and,     175 ,   197

scale   singing and,     101

sequence    melody  and,     41 –43,     50 ,    57

symbolism,

chace   (canon) and,     333 –34

cyclic  Mass    Ordinary    and,     461

declamation motet   and,     432 ,   433

Missa   L’Homme Armé    and,     495

motet   and,     226 ,   229 ,   236 ,   255 ,   282 ,   284 –85,    286 ,   429

musical iconic  representation  and,     363

symphonia. See symphony

Symphoniae jucundae (schoolbook), Luther preface to, 755

symphonia of the diapente, 150 , 151

symphonic binary form, See sonata form,

symphony,

cyclic  Mass    Ordinary    compared    with,    496 –97

as  symphonia,   149 –53,    154 ,   187

symphony concert. See concerts

Synaxis, 25 , 313