Music from the Earliest Notations to the Sixteenth Century

syncopation, 266 , 269 , 295 , 305 , 345

Du  Fay’s   Missa   L’Homme Armé    and,     497 ,   498

fifteenth-century   counterpoint    and,     368

Machaut and,     325 ,   326

Obrecht Caput   Mass    and,     482

precadential,    368

stile   antico  and,     667

subtilior   notation    of,  339

trecento    madrigal    and,     363

Syphans de Ferrara, 354

Syriac Christian Church, 33

T

ta’amim (ecphonetic neumes), 16

tablature, 606 , 626

tabula compositoria, 578 , 579

Tabulaturen (Meistersinger codes), 139 –40, 143

tactus. See beat

tag. See refrain

“Take Me Out to the Ballgame” (song), 18 , 19

talea, 232 , 234 , 265 , 266 , 269 , 270 , 311 , 378

English motet   and,     424 –25,    427

French-Cypriot  Gloria-Credo,    345

Machaut DAVID   melisma,     292

Machaut dismissal   response,    326

“Tale of Joan of Arc, The” (Christine de Pisane), 447

Tallis, Thomas, 673 –75, 673 , 677

music   printing    monopoly    of,  678 ,   741

O   nata    lux de  lumine,  673 –74,    678

Spem    in  alium,   673

Tannhäuser (historical poet-singer), 137 , 138

Tannhäuser und der Sängerkrieg auf Wartburg (Wagner), 137 , 138 , 139 , 141

Tansillo, Luigi, 818

Tant que vivray (Claudin), 706 –7, 708 , 709 , 711 , 712

Tapissier (Jean de Noyers), 422 , 423 –24

Eya dulcis/Vale placens,     423 –24,    425 –26,    429

Tarquin, legendary King of Rome, 719

Taverner, John, 612 –14, 672 , 673 , 680 , 692