Music from the Earliest Notations to the Sixteenth Century

See also    tenor   voice

Tenorlied, 701 –6, 717

Lutheranism and,     756 ,   758 ,   760

tenor tacet pieces, 543 , 544

tenor voice in SATB voice-part range, 468

tenso (debate-song), 115 –16

jeu-parti   equivalent,  121

motet   and,     226

tercet,

madrigal,    352 ,   356 ,   359 ,   360 –61,    363 ,   374 ,   377

rhymed,  89

termination (terminatio), 20

ternaria, 176 , 177 , 187 , 197 , 217

terzetti, 363

tessitura, 76

tetrachord (fourth), 70 , 74 , 75 , 77 –78, 79 , 83

augmented,   40 ,    152

disjunct/conjunct,   78 ,    151

as  dissonance,  153

equivalence,     495

hexachord   and,     99

parallel    doubling    at,  152

as  “perfect”   interval,    149

See also    diminished  fourth; perfect fourth

text. See syllabic text; words-music relationship

texted Agnus Dei, 520

texted discant. See motet

texted Kyrie, 58 , 59

texture,

ballata and,     368

Janequin’s  chansons    and,     711 –12

Machaut luxuriant   style   and,     318 ,   325

madrigal    and,     356 ,   374

Missa   Caput   and,     466

musical space   and,     577 ,   579

Notre   Dame    polyphonic  integration and,     171 –205

Tenorlied   and,     758

top-down    cantilena   and,     312 –13