Thomas, Duke of Clarence, 409
Thomas à Becket (Saint Thomas of Canterbury), 172 , 408 , 408
Thomas Aquinas, Saint, 48 , 89 –70
Thomas de la Hale, 408
Thomas gemma Cantuariae/Thomas caesus in Doveria (motet), 408 –9, 411 –12
Thoscanello de la musica (Aaron), 576 –77
three-note ligature. See ternaria,
three-part polyphony, 165 –67, 168 , 171 , 187
cantilena-style, 298 –99, 311
Clemens’s psalm settings in, 597 –99
conductus and, 198
English technique and, 419 , 434 , 435
Landini ballata and, 368
West-country style and, 403three-tempora length, 180 , 249
throat-music. See gorgia
through-composed song, 813
Timaeus (Plato), 70
time-measurement. See meter
time signatures, 252 –53
Ars Nova notation of, 260 –61
four standard, 253
Ockeghem Mass and, 477 –78
Philippus supplementations to, 338 , 341Tinctoris, Johannes, 384 , 423 , 424 , 429 , 453 –54, 454 , 551 , 577 , 585 , 620
background and career of, 453
De inventione et usu musicae, 453 –54, 536
on English style, 514 , 517
musical honor roll of, 454 –59, 465 , 472 , 484 , 501
musical style rankings by, 459 –60, 486 , 501 , 526Tintoretto (Jacobo Rubusti), 741
ti (scale-singing syllable), 101
Titian (Tiziano Vecellio), 741
“To Anacreon in Heaven” (Smith), 409
todesca, 716
“To Josquin, his Companion, Ascanio’s musician” (Serafino), 552
Toledo, 64 , 130