Music from the Earliest Notations to the Sixteenth Century

Toledo Cathedral, 64 , 183

Tomkins, Thomas, 746

Tomlinson, Gary, 272 , 615

tonality, 40 –44, 471

atonality   and,     472

ballade and,     305

change  from    modal   concept to,  471 –72,    505 ,   628 ,   666

eight-tone  system  and,     22 ,    74 ,    76

English descant and,     423 ,   424

English style   of,  425 ,   447 ,   448

Frankish    innovations and,     28 –29,     48 ,    72 –104

Gregorian   chant   range   and,     99

ground  bass    and,     627

harmonic    minor   and,     277

harmonic    rhythm  and,     628

hierarchies and,     471

Italian frottole    and,     666

major-minor,     99 ,    101

modulation  and,     471

Palestrina  and,     666 –67,    669

scale   degrees as  basis   of,  73

tonic   and,     76 ,    77

“tonal revolution,”, 628

tonaries, 72 –76, 78 –180, 83

tone, 137

diatonic    pitch   set and,     29 ,    42

equivalence,     495

in  Greek   nomenclature,    74 –75

psalm,   20 ,    21 –22,     28 ,    29 ,    83

semantic    connotations    by,  724

Töne (song formulas), 139 –40

tone painting, 56 –57

tone poem, 599

top-down composition, 296 –98, 311 , 312 –13, 435

caccia  and,     364

Torah, 16

Tosto che l’alba (Gherardello), 365 , 371