Toulouse Mass, 315 , 316
tour-de-force genres,
academic style and, 608
ars subtilior and, 338 –49, 341
canon and, 331
compositional, 536 , 538 –39
Josquin Agnus Dei II and, 529
motet and, 226 –27, 232
Ockeghem Masses and, 477 , 480 , 481Tournai, 590
Mass Ordinary, 316 , 317 , 321 , 590Tours, 455
town song. See villanella,
Tract, 28
tractus, 180
Tragedia, La, 832
Transcendence, Neoplatonism and, 69 , 70 , 71
transposition, 76 , 149 , 434 , 436 , 475 , 482 , 560 , 628
of finals, 554Trattado de glosas (Ortiz), 620 –21
Trebor (Jehan Robert), 342
trecento, 351 –85, 697
ballata and, 366 –74
basic musical treatise of, 354
characteristic melodic feature of, 363 , 371
Decameron as prose classic of, 365 –66
discant style and, 356 –59
historiographic views of, 383 –84
madrigal and, 352 –64
proto-Renaissance indicators and, 382 , 383 , 384
Zarlino and, 586 –89, 597 , 601 , 603 , 604 –5, 699 , 736 , 800Treitler, Leo, 158 –59, 161
Tres bonne et belle (Machaut), 301 –1
Tres dous compains, levez vous (canon), 332
Très riches heures du duc de Berry, 342 , 343
Treviso, 611
Treybenreif, Peter (Petrus Tritonius), 691
triad, 168 , 470 , 627 , 687 , 776