Music from the Earliest Notations to the Sixteenth Century

English chains  of,  433 ,   447

in  “first  inversion,”  813

monodic harmony and,     813 –14,    819

sixteenth-century   theory  and,     587 –88,    597

Willaert    and,     603

tribrachic meter, 198

Tribum/Quoniam/MERITO (Vitry), 256 –58, 258 , 259 , 261 , 337

tricinium, 550 , 769

trill (trillo), 816 , 817

Trinitarian symbolism, 333 , 334

Trinity Sunday, 461

triplet, 359

triplum. See organum triplum

Tristitia et anxietas (Byrd), 679

tritones, 149 –50

Triumphes of Oriana, The (Morley), 746

trivium, 4 , 37

trobairitz (female troubadours), 110

trobar clus vs. trobar clar debate, 115 –16

Ars Nova    and,     326

creative    virtuosity  and,     330 ,   342 ,   352

French  motet   and,     226 –28

trouvères   and,     120 ,   228 ,   352

See also    high    art

trochaic meter, 47 , 176 –77, 179 , 187 , 191 , 192 , 197 , 198 , 200 , 201

British conductus   and,     403

French  motet   and,     221 ,   232

notation    of,  214 ,   260 ,   261

ottonario   and,     696

Trombetti, Ascanio, 780

Tromboncino, Bartolomeo, 696 , 699

trombone, 424 , 783

Trondheim, 393

troparion, 33

tropers, 51 , 93

polyphonic  collection,  155

tropes, 7 , 50 –53, 55