Music from the Earliest Notations to the Sixteenth Century

Gesualdo    compared    with,    738 ,   739

librettos   of,  337

Meistersinger   art and,     137 ,   141

nationalism and,     142

works   of

Lohengrin,   138

Meistersinger   von Nürnberg,   Die,     139 ,   141 ,   142

Tannhäuser,  137 ,   138 ,   139 ,   141

Walcha, Helmut, 374

Wales, 392 , 394 , 410 , 438

Walther, Johann, 760 –61, 765

Christ  lag in  Todesbanden,     761 –62

Geystliches gesangk Buchelyn,    760 –61

Walther von der Vogelweide, 135 –36, 138 , 139

Ward, John, 746 –47, 749 –50, 751

Upon    a   Bank,    747 ,   749 –50

Warwick, Earl of, 423

Watson, Thomas, 746

Wedding at Cana, The (Veronese), 741

Wedding of Ferdinand de’ Medici and Christine of Lorraine (Salimbeni), 803

Weelkes, Thomas, 746 –47, 751

Weerbeke. See Gaspar van Weerbeke,

Weiss, Piero, 806

Wenceslaus, King of Bohemia, 289

Wendt, Amadeus (Johann Gottlieb Wendt), 3 , 286

Wert, Giaches (Jacques) de, 733

Solo    e   pensoso,     733 ,   734

Wessex dialect, 387

West, Martin L., 33 , 34

West-country style (England), 394 , 402 , 403

Western Christianity. See Roman Catholic Church,

Western Roman Empire. See Holy Roman Empire,

West Franks. See France

Whitsunday, 686 –87

Wilbye, John, 746 –47

“wild bird” songs, 359 –64

Wilder, Philip van, 676 –77

Pater   noster,  676 –77