Worcester, Earl of, 677 , 678
Worcester Cathedral, 403
Worcester fragments, 402 –3, 406 –7
words-music relationship,
artistic synthesis of, 337
Byrd’s Masses and, 680
Caccini vocal tricks and, 816 –17
embellishment and, 816 –17
English vs. continental approach to, 613 –14
Josquin’s Ave Maria ... Virgo motet and, 565 –66
madrigal text and, 724 –25, 727 , 736 –37, 739 , 749 , 802 , 813 , 816 –17
monody and, 802 –3, 816 –17
“musical tales” and, 826
opera and, 827
papal Mass “intelligibility” movement and, 647 , 649 –53, 672World War I, 652
worship music. See liturgical music,
Wright, Craig, 175 , 184 , 285
written music, 1 –35
Adam de la Halle’s works, 127
Ambrosian chant, 63
ancient world, 31 –33
antiphon grouping, 40 –44
autonomy of music and, 65 , 104
Beneventan chant, 64
breakthrough in, 99 –100
British pre-Reformation, 387 –409, 409 –18, 672
as business, 542
Busnoy autograph manuscript, 456 , 456
cantiga manuscript miniatures, 130
Caput Mass and, 458 , 476
chansonnier, 109 –10
Chigi Codex, 457 –58, 458 , 473
choirbooks, 458 –59
Codex Calixtinus and, 162 –68
commodification of music and, 542 , 549
as cream of improvisatory practice, 161 –62, 163