Shakespeare and the Drama
The Twentieth Century and
xiii
Timelines
- Introduction Abbreviations xx
- Why literary history?
- Literary status
- What is literature?
- Scope: English, British, English
- Canon, anti-canon, mini-canon
- Priorities
- Who are the major writers?
- Language change
- Is drama literature?
- Qualities, quantities, obligation, allocation
- Texts
- Further reading
- Pr imary texts
- Secondary texts
- to 1 Old English Literature:
- Orientations
- Britain, England, English
- Oral origins and conversion
- Aldhelm, Bede, Cædmon
- Northumbria and The Dream of the Rood
- Heroic poetry
- Christian literature
- Alfred
- Beowulf
- Elegies
- Battle poetry
- The harvest of literacy
- Further reading
- 1066–1500 2 Middle English Literature:
- The new writing
- Handwriting and printing
- The impact of French
- Scribal practice
- Dialect and language change
- Literary consciousness
- New fashions: French and Latin
- Epic and romance
- Courtly literature
- Medieval institutions
- Authority
- Lyrics
- English prose
- The fourteenth century
- Spiritual writing
- Julian of Norwich
- Secular prose
- Ricardian poetry
- Piers Plowman
- Sir Gawain and the Green Knight
- John Gower
- Geoffrey Chaucer
- The Parlement of Fowls
- Troilus and Criseyde
- The Canterbury Tales
- The fifteenth century
- Drama
- Mystery plays
- Morality plays
- Religious lyric
- Deaths of Arthur
- The arrival of printing
- Scottish poetry
- Robert Henryson
- William Dunbar
- Gavin Douglas
- Further reading
- P ART
- 3 Tudor Literature: 1500–1603 Tudor and Stuart
- Renaissance and Reformation
- The Renaissance
- Expectations
- Investigations
- England’s place in the world
- The Reformation
- Sir Thomas More
- The Courtier
- Sir Thomas Wyatt
- The Earl of Surrey
- Religious prose
- Bible translation
- Instructive prose
- Drama
- Elizabethan literature
- Ve r s e
- Sir Philip Sidney
- Edmund Spenser
- Sir Walter Ralegh
- Elizabethan and Jacobean
- Christopher Marlowe
- Song
- Thomas Campion
- Prose
- John Lyly
- Thomas Nashe
- Richard Hooker
- Further reading
- 4 Shakespeare and the Drama
- William Shakespeare
- Shakespeare’s life
- The plays preserved
- Luck and fame
- The drama
- The commercial theatre
- Predecessors
- Christopher Marlowe
- The order of the plays
- Histories
- Richard II
- Henry IV
- Henry V
- Comedy
- A Midsummer Night’s Dream
- Twelfth Night
- The poems
- Tr a g e d y
- Hamlet
- King Lear
- Macbe th
- Late Romances
- The Tempest
- Conclusion
- Shakespeare’s achievement
- His supposed point of view
- Ben Jonson
- The Alchemist
- Volpone
- Further reading
- 5 Stuart Literature: to
- The Stuart century
- Drama to
- Comedy
- Tr a g e d y
- Song
- John Donne
- Prose to
- Sir Francis Bacon
- Lancelot Andrewes
- Robert Burton
- Sir Thomas Browne
- Poetry to Milton
- Ben Jonson
- Metaphysical poets
- Devotional poets
- Cavalier poets
- John Milton
- Prose and Paradise Lost
- The Restoration
- The Earl of Rochester
- John Bunyan
- Samuel Pepys
- The theatres
- Restoration comedy
- John Dryden
- Satire
- Prose
- John Locke
- Women writers
- William Congreve
- Further reading
- P ART
- 6 Augustan Literature: to Augustan and Romantic
- The eighteenth century
- The Enlightenment
- Sense and Sensibility
- Alexander Pope and 18th-century civilization
- Joseph Addison
- Jonathan Swift
- Alexander Pope
- Translation as tradition
- The Rape of the Lock
- Mature verse
- John Gay
- Lady Mary Wortley Montagu
- The novel
- Daniel Defoe
- Cross-currents
- Samuel Richardson
- Henry Fielding
- Tobias Smollett
- Laurence Sterne
- The emergence of Sensibility
- Thomas Gray
- Pre-Romantic sensibility: ‘Ossian’
- Gothic fiction
- The Age of Johnson
- Dr Samuel Johnson
- The Dictionary
- Literary criticism
- James Boswell
- Non-fiction
- Edward Gibbon
- Edmund Burke
- Oliver Goldsmith
- Frances Burney
- Richard Brinsley Sheridan
- Christopher Smart
- William Cowper
- Robert Burns
- Further reading
- 7 The Romantics: 1790–1837
- The Romantic poets
- Early Romantics
- William Blake
- Subjectivity
- Romanticism and Revolution
- William Wordsworth
- Samuel Taylor Coleridge
- Sir Walter Scott
- Younger Romantics
- Lord Byron
- Percy Bysshe Shelley
- John Keats
- Romantic prose
- Belles lettres
- Charles Lamb
- William Hazlitt
- Thomas De Quincey
- Fiction
- Thomas Love Peacock
- Mary Shelley
- Maria Edgeworth
- Sir Walter Scott
- Jane Austen
- Towards Victoria
- Further reading
- PART
- Victorian Literature to
- 8 The Age and its Sages
- The Victorian age
- Moral history
- Abundance
- Why sages?
- Thomas Carlyle
- John Stuart Mill
- John Ruskin
- John Henry Newman
- Charles Darwin
- Matthew Arnold
- Further reading
- 9 Poetry
- Victorian Romantic poetry
- Minor verse
- John Clare
- Alfred Tennyson
- Elizabeth Barrett and Robert Browning
- Matthew Arnold
- Arthur Hugh Clough
- Dante Gabriel and Christina Rossetti
- Algernon Charles Swinburne
- Gerard Hopkins
- Further reading
- 10 Fiction
- The triumph of the novel
- Disraeli’s Sybil
- Two Brontë novels
- Jane Eyre
- Wuthering Heights
- Elizabeth Gaskell
- Charles Dickens
- The Pickwick Papers
- David Copperfield
- Bleak House
- Our Mutual Friend
- Great Expectations
- ‘The Inimitable’
- Wilkie Collins
- William Makepeace Thackeray
- Vanity Fair
- Anthony Trollope
- George Eliot
- Adam Bede
- The Mill on the Floss
- Silas Marner
- Middlemarch
- Daniel Deronda
- Nonsense prose and ver se
- Lewis Carroll
- Edward Lear
- Further reading
- 1880–1900 11 Late Victorian Literature:
- Differentiation
- Thomas Hardy and Henry James
- Aestheticism
- Walter Pater
- A revival of drama
- Oscar Wilde
- George Bernard Shaw
- Fiction
- Thomas Hardy
- Tess of the d’Urbervilles
- Minor fiction
- Samuel Butler
- Robert Louis Stevenson
- George Moore
- 10 Fiction
- 8 The Age and its Sages
- Poetr y
- Aestheticism
- A. E. Housman
- Rudyard Kipling
- Further reading
- PART
- 1901–19 12 Ends and Beginnings:
- The new century
- Fiction
- Edwardian realists
- Rudyard Kipling
- John Galsworthy
- Arnold Bennett
- H. G. Wells
- The press and G. K. Chesterton
- Joseph Conrad
- Heart of Darkness
- Nostromo
- E. M. Forster
- Ford Madox Ford
- Poetry
- Pre-war verse
- Thomas Hardy, poet
- War poetry and war poets
- Further reading
- 1920–55 13 From Post-War to Post-War:
- ‘Modernism’: 1914–27
- D.H.Lawrence
- The Rainbow
- James Joyce
- Portr ait of the Artist as a Young Man
- Ulysses
- Ezra Pound: the London years
- T. S. Eliot
- The Love Song of J. Alfred Prufrock
- The Waste Land
- Four Quartets
- Eliot’s criticism
- W. B. Yeats
- Hugh MacDiarmid and David Jones
- Virginia Woolf
- To the Lighthouse
- Katherine Mansfield and Jean Rhys
- Thirties Non-modernism: the Twenties and
- Modernism fails to catch on
- The poetry of the Thirties
- Political camps
- W. H. Auden
- The novel
- Evelyn Waugh
- Grahame Greene
- Anthony Powell
- George Orwell
- Elizabeth Bowen
- Fantasy Fiction
- C.S.Lewis
- J. R. R. Tolkien
- Poetr y
- The Second World War
- Dylan Thomas
- Drama
- Sean O’Casey
- Further reading
- 14 Beginning Again: 1955–80
- Drama
- Samuel Beckett
- John Osborne
- Harold Pinter
- Established protest
- Novels galore
- William Golding
- Muriel Spark
- Iris Murdoch
- Other writers
- Poetr y
- Philip Larkin
- Ted Hughes
- Geoffrey Hill
- Tony Harrison
- Seamus Heaney
- Further reading
- 15 Contemporaries
- Can a literary medium be global?
- Import-export
- The touch of history
- All literature is contemporary
- The dominance of fiction
- Drama and theatre
- Theatre and identity
- Alan Bennett
- Stage politics
- Poetry
- Contemporary poetry
- Greatness?
- Paul Muldoon
- Popular contemporaries
- The empire of fiction
- Fiction and the university
- Burgess Malcolm Bradbury, David Lodge, Anthony
- Metropolitan novelists
- Ian McEwan
- Martin Amis
- Julian Barnes
- Post-modernism?
- Some novelists
- A.S. Byatt
- Angela Carter
- Kazuo Ishiguro
- Graham Swift
- J. G. Ballard
- Penelope Fitzgerald
- Beryl Bainbridge
- Michael Frayn
- Pat Barker
- Looking back
- Salman Rushdie
- Penelope Lively
- ‘Post-colonial’?
- V. S. Naipaul
- ‘Multi-culturalism’
- Genre
- Literary biography
- Fictionalized biography
- Historical fiction
- Patrick O’Brian
- Detective fiction
- Spy fiction
- John Le Carré
- Genre and literary standards
- Fiction and fantasy
- Philip Pullman
- J. K. Rowling
- Further reading
- Index
- Ian McEwan
- 7th centuries The coming of the Angles, Saxons and Jutes in the 5th, 6th and
- Places of note in Old and Middle English Literature
- The Franks Casket
- The sceptre from the ship burial at Sutton Hoo, Suffolk
- The Beowulfmanuscript
- The dialects of Middle English
- Langland’s Dreamer
- Portrait of Geoffrey Chaucer commissioned by Thomas Hoccleve
- The Wife of Bath, from the Ellesmere Manuscript of the Canterbury Tales
- Coventry mystery performance in the 1400s or 1500s
- Sir Thomas More
- Elizabeth I,Queen of England and Ireland,c.1588
- Red-Crosse Knight and Dragon, from The Fairie Queen
- Sir Walter Raleigh
- The Catalogue of ‘the First Folio’ of Shakespeare’s plays
- Shakespeare’s portrait in the First Folio
- Drawing of the Swan Theatre by Johannes de Witt
- The Tr agicall Hiftory of the Life and Death of Doctor Faustus
- ‘View of London’, engraved by Claes Jan Visscher
- Charles the Martyr, from Eikon Basilike
- John Milton
- Anne Bracegirdle in The Widow Ranter
- The new St Paul’s Cathedral
- Alexander Pope
- ‘Crusoe saving his Goods out of the Wreck of the Ship’
- ‘The Death of Chatterton’ by Henry Wallis
- Definition from Dr Johnson’s Dictionary
- Dr Samuel Johnson,by Joshua Reynolds
- Frances Burney
- The screen scene from Sheridan’s A School for Scandal
- William Wordsworth
- John Keats
- ‘T ales of Wonder’ by James Gillray
- Jane Austen
- The Albert Memorial
- Queen Victoria opening the Great Exhibition
- ‘Contrasted Residences for the Poor’, from A. W. Pugin’s Contrasts
- Alfred Tennyson
- ‘Buy from us with a golden curl’,Goblin Market
- Gerard Hopkins, S.J.
- The Brontë sisters
- Charles Dickens in Every Man in his Humour
- ‘Fagin in the condemned cell’,Oliver Twist
- ‘Mr Joseph entangled’,Vanity Fair
- Tom and Maggie Tulliver foresee their fate
- The Mad Hatter’s Tea Party, from Alice’s Adventures in Wonderland
- Oscar Wilde
- Rudyard Kipling
- Joseph Conrad
- ‘Over the top’
- D. H. Lawrence
- Ford Madox Ford, James Joyce, Ezra Pound and John Quinn
- T. S. Eliot
- W. B. Yeats
- Virginia Woolf
- W. H. Auden
- Evelyn Waugh
- Samuel Beckett
- John Osborne’s Look Back in Anger
- William Golding
- Muriel Spark
- Philip Larkin
- Seamus Heaney
- Kazuo Ishiguro
- Penelope Fitzger ald
- Old English Literature: to Medieval
- Dates of early writings and chief events
- Middle English Literature: to
- Reigns and major events 1066–1399
- Ricardian poetry 1377–99
- Chronology of Chaucer’s works
- Fifteenth-century events and literature
- Scottish poetry
- Tudor Literature: 1500– Tudor and Stuart
- Tudor translations
- Non-dramatic poets of the 1590s
- poems with publication dates Plays by approximate order of composition;
- Stuart Literature: to
- Stuart dramatists to
- Crisis, Civil War, Commonwealth, Restoration
- Events 1660–1700
- Restor ation plays
- A chronology of Restoration prose
- Augustan Literature: to Augustan and Romantic
- Public events of the time of Pope
- Literature at the time of Pope
- Events 1745–89
- Fiction from Richardson to Edgeworth
- Non-fictional prose: 1710–98
- The Romantics: 1790–
- Events 1789–1824
- Chief events and publications of 1823–37
- Victorian Literature to
- Events and publications of 1837–80 The Age and its Sages
- 1880– Late Victorian Literature:
- Events and publications 1881–1901
- Ends and Beginnings: 1901– Beyond
- Events and publications of 1900–19
- From Post-War to Post-War: 1920–
- Events 1920–39
- Publications of the modernist period
- Publications 1929–39
- Events and publications of 1940–55
- Beginning Again: 1955–
- Events and publications 1955–