Ancient Literacies

(Marvins-Underground-K-12) #1

339). Quoted speech, too, is closed, not open to negotiation and revision;


it is fixed, it is not addressed to us, it is overheard by us.


Quotation is not a simple matter. Critic I. A. Richards found nineteen


different uses in writing for quotation marks. But our concern is with one


of them, reported speech and thought. Two features are of particular


relevance, first, how quotation loses illocutionary force to become pure


thought, and second, how the free play of ‘‘illocutionary force’’ elaborates


possibilities of subjectivity. Thus my intention is to trace out two of


the special properties of written documents by means of treating them


as quoted speech.


WHAT UTTERANCES LOSE IN BECOMING


TEXTS—REPORTED SPEECH


In her search for the literary basis for the rise of subjectivity in


modern novels, Banfield (1993) has extensively analyzed the linguistic


basis of what she calls ‘‘reported speech and thought.’’ She examined
the links between literature, psychology and linguistics: for literature


it was the form of the modern novel as exemplified by Jane Austen,


Katherine Mansfield, and Virginia Woolf; for psychology it was the work-


ings of the conscious and unconscious mind; and for linguistics, it


was what she calls ‘‘represented thought,’’ what literary theorists


have called ‘‘style indirect libre.’’ She wrote, ‘‘It is no accident that the


rise of the novel, the literary genre directed at the representation of


the inner (nonspeaking) self, and... the central role accorded to the


conscious, thinking subject in modern philosophy and an inarticulate


ego in psychology, coincide historically with the linguistic realization


of the nonspeaking, noncommunicating self of represented thought’’


(p. 360).


Banfield (1993) reminds us that speech is dominated by the social or


communicative function that assumes anIand ayou,ahereand anow.


Written literature, on the other hand, is dominated by the expressive


function of language that allows the formation of compositions in which


noyouexists, theImay not be the speaker/writer, and thenowmay be


cotemporal with the past (if the introductory clause is past). ‘‘When these


conditions exist... represented thought is born’’ (p. 353), a style much


exploited, she suggests, by such novelists as Austen, Woolf, and Joyce.


Written composition, she writes, ‘‘frees language from the speech act’’


(p. 357) allowing a new use of pronouns and deixis. These are the


properties that are borrowed into writing from quotation.


Represented thought is the thought expressed separate from the belief
of any particular speaker, a sort of Fregean pure thought. Banfield pro-


duces eight linguistic features that distinguish this kind of writing from


what is permissible in actual speech. Here is one example from the


writings of Virginia Woolf:


Why Literacy Matters, Then and Now 395

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