ORPHEUS AND ORPHISM: MYSTERY RELIGIONS IN ROMAN TIMES 359Orpheus and Eurydice, by Isamu Noguchi (1904-1988). Scenic model, 1948. In this model
for a scene from the ballet Orpheus, with choreography by Balanchine and music by
Stravinsky, Orpheus charms all the Underworld by his music, so that, according to
Noguchi, "glowing rocks, like astral bodies, levitate." (Photograph by Rudolph Burckhardt.
Courtesy of the Isamu Noguchi Foundation, Inc.)
Thus Ovid and Vergil represent the tradition for the tragic love story of Orpheus
and Eurydice: a paean to the devotion of lover and beloved, husband and wife.
Their eternal myth has been re-created again and again with imagination, beauty,
and profundity, whether it be in an opera by Gluck or a movie by Cocteau.
Orpheus has become the archetype of the poet and musician, and of the great
and universal power of art.
LIFE OF ORPHEUS, RELIGIOUS POET AND MUSICIAN
There is another very important side to Orpheus' character, of which we can
only catch glimpses today because of the inadequacy of our evidence. He was
considered the founder of a religion, a prophet, who with his priests and disci-
ples committed to writing holy words that provided a bible for dogma, ritual,