Times 2 - UK (2020-12-11)

(Antfer) #1

the times | Friday December 11 2020 1GT 3


times


UP


Classic British


characters


1


UP


Sex dolls


2


To Kazakhstan, where Yuri


Tolochko, a body-builder,


posted pictures on


Instagram of his


wedding to his


fiancée of two


years, Margo.


Just one odd


detail: she is


a sex doll.


What


does the


congregation for a


wedding between a


probably not a Winston Churchill,
is there? But if there was a Walter
Ralley, or Alfred Great, or George
Eliot — either sex, I’m not fussy —
that would be amazing.”
There must have been a chunky
bonus for finding a William
Shakespeare. That’s an exhaustive
contacts list, milked by a pro. But
the moment I became fully convinced
that a film industry maven had to be
behind the vaccine casting came with
the video that went viral — the one of
91-year-old Martin Kenyon, who was
filmed by CNN after he got his jab.
“How did you come to get the
vaccine?” the young American
reporter asked, cornering him
outside Guy’s Hospital in London.
“Well of course I couldn’t find
anywhere to damn well park my car so
I was late,” Kenyon replied — his voice
revealing him to be in the mould of a
more lucid Rowley Birkin, QC, from
The Fast Show. “Anyway, I’m here
now... I went off and had a rather
nasty lunch and then came back and
they were ready for me. And no it
didn’t hurt at all! I didn’t know the
needle had gone in until it came out...
I hope I’m not going to have the
bloody bug now. I don’t intend to have
it... there’s no point in dying now
when I’ve lived this long, is there?”
Word for word, it’s about as perfect a
monologue as you could hope for — a
classic Alan Bennett, Caroline Aherne
or Mike Leigh piece, with a perfectly
minted piece of absurdist British, stoic
philosophy at the end. When the CNN
reporter threw back to the anchors in
the US, they were thrilled in the way
they would have been after watching
Downton Abbey or Fawlty Towers.
Britain had served up exactly the
kind of posh, droll, phlegmatic
— “nasty lunch” — old chap
the rest of the world thinks
we’re stuffed with. The
Britain PLC PR machine
had played a blinder.
“I’m beaming from ear
to ear,” the female anchor
said — palpably thinking of
booking a holiday in the
Cotswolds so she could
enjoy more of this
country’s endearingly
eccentric and now
non-infectious
characters.
Somewhere
in Britain
there is a
casting director
who deserves
an OBE. Bravo,
whoever you are.

It’s been a terrible year for the British


film and TV industry, which has


largely had to sit at home, doing


nothing. Studio lots have fallen silent,


costume designers’ sketchbooks have


been empty, and sound guys’ booms


have been propped up unused in the


hallway — scaring everyone who


glimpses them into thinking there’s a


pole-vaulting cat next to the coat rack.


This is why I was delighted for


our creative industries when the


first vaccines were rolled out this


week. Not because it means that in


a few months’ time, proper full-scale


productions can begin again —


although obviously that’s great.


No, I was happy because, as the


first British citizens to receive the


miraculous vaccine appeared on the


news, it was clear that somewhere a


suddenly re-employed casting director,


on a fat wage, had cast the hell out of


those first choices. Come on! Have you


seen who we gave those first jabs to?


There’s no way that was a random


selection. They were picked by


someone at the top of their game.


The first two we saw were Margaret


Keenan — a cheerful, 90-year-old


grandmother who turned up in a


jolly “Christmas penguin” T-shirt and


cardigan, chirping, “I say go for it! If I


can have it at 90, then you can have it


too” — and an 81-year-old dude called


William Shakespeare! Clearly


someone, somewhere said:


“With these vaccines,


Britain’s going to make


headlines around the


world, and our PR at


the moment is that we’re


generally a country stuffed


with rabid, incompetent


nationalists. It would


be amazing if one


of the first


patients had a


name that was


redolent of


Britain at


its best, so


it plays


well in the


international


coverage.


Something


adorable, and/or


heritagey. There’s


Theatre


with Beale, and Eben Figueiredo
playing all the parts as they dip
in and out of the text. It’s a bit
too dense for young children;
everyone else will surely love
it. Bridge Theatre, London SE
(bridgetheatre.co.uk),
today, tomorrow

A Christmas Carol
Simon Russell Beale is a
choleric Scrooge in Nicholas
Hytner’s glorious adaptation
of the Dickens evergreen.
It’s a slimmed-down
treatment with Russell
Beale, Patsy Ferran, left

Film


2024), where coronavirus has
mutated into the ultra-lethal
Covid-23. It’s audacious and the
first mainstream film to address
unapologetically, in every single
scene, our moment. See review,
p8. In cinemas and on Amazon,
Apple, Google and Sky Store

Songbird
Michael Bay’s lockdown movie,
starring Demi Moore, right,
is a high-octane action satire
that treads a delicate path
between exploitation and social
commentary. The setting is
near-future Los Angeles (in

Pop


creepy but funky masterpiece
to life with a full band, on a
live stream of a performance
recorded at New York’s Poisson
Rouge in November.
dice.fm, today, available
until 9pm

GZA — Liquid Swords
25th Anniversary
Widely held up as one of the
greatest hip-hop albums, Liquid
Swords is loosely based on the
martial arts movie Shogun
Assassin. The rapper brings his

Dance


sets off on her midnight
journey to the Kingdom
of the Sweets.
Royal Opera House, London
WC2 (roh.org.uk), today,
tomorrow and Sunday (all
performances at 2pm).
Returns only

The Nutcracker
The Royal Ballet celebrates
Christmas with Tchaikovsky’s
seasonal classic. Peter Wright’s
glorious staging is rich with
classical splendour and
spiced with tender, teenage
romance, as young Clara

Comedy


just wasn’t feasible yet, so
Mischief Theatre is going
back to its improv roots
with these spontaneously
created film parodies.
Vaudeville, London WC
(nimaxtheatres.com) tonight,
tomorrow, Sunday

Mischief Movie Night
The team behind The Play That
Goes Wrong were supposed to
be back on stage for Christmas
with their most recent show,
Magic Goes Wrong. Then they
realised that a show with so
much audience participation

Opera


TV & RADIO7-DAY
page 23GUIDE

Saturday December 12 2020

It’s Downton


  • in Regency
    times and
    much i


The Archers at 70Times writers on
their favourite moments on the farm

The star of Bridgerton, a new


corset-ripper set in Regency times


The hot list


Your guide to the weekend


In Saturday Review tomorrow


bodybuilder and a sex doll look like?
Alas, Instagram didn’t show us — but
I’m presuming that on the groom’s
side of the church
there were a lot of
gigantic necks
bursting out of
shirt collars. On
the bride’s side,
meanwhile,
I’m imagining
there were
three
Topshop
dummies,
a Girl’s
World head
wearing a
hat, and a
vibrator in
a pashmina,
crying.

t


Spence as Florestan, Rachel
Nicholls as Leonore and Fflur
Wyn, right, as Marzelline.
Streamed live tomorrow night
and available for a week.
ondemand.operanorth.co.uk

Fidelio
A bold Beethoven celebration
from Opera North in Leeds as
the company’s orchestra and
chorus are reunited for the
composer’s only opera. Toby
Free download pdf