Digital Camera World (2019-06)

(Antfer) #1
http://www.digitalcameraworld.com JUNE 2019 DIGITAL CAMERA^49

³ٹɎǣƬǸɯǣɎǝɎǝƺ


ȸɖǼƺژȒǔژɎǝǣȸƳɀٺ


You don’t need to compose your shots
ǣȇژɎǝǣȸƳɀژɎȒȵȸȒƳɖƬƺƺɵƺٮƬƏɎƬǝǣȇǕɀǝȒɎɀ

The rule of thirds is a cornerstone of
photographic composition. It works by
dividing the frame into a nine-section
grid: points of interest should be placed
where the lines intersect. As useful as this rule is,
though, using it automatically could result in
predictable compositions.
Why not break the rule of thirds for some creative
variety? Place your subject in the centre of the image
instead, especially when you’re photographing
portraits, and experiment with symmetry – this often
creates aesthetically pleasing photographs. Another
easy way to break this rule is to experiment with the
negative space in the frame: add details to corners
that you wouldn’t normally fill up, for example.

How to get the shot...
Disable the 3x3 grid overlay in your viewfinder
display and start going off-grid
Position your subject towards the front of the frame
and shoot with a shallow depth of field to draw the eye
Consider balancing elements on either side of the
frame to create a pleasing, symmetrical composition

ٹǼɯƏɵɀǸƺƺȵɎǝƺ


ƬƏȅƺȸƏژɀɎȸƏǣǕǝɎٺ


Add dynamism with diagonals, or offer
ƏژƳǣǔǔƺȸƺȇɎȵƺȸɀȵƺƬɎǣɮƺȒȇǔƏȅǣǼǣƏȸɀƬƺȇƺɀ

Whenever you take a picture, it’s natural
to want to keep the camera straight. But
there’s nothing stopping you from rotating
the perspective slightly – why not break free
from your instincts and let your imagination run wild?
For more pronounced results, try photographing a
scene that has a clear horizon, such as a beach or field.
This will provide an easy way to assess the effectiveness
of this technique, by referencing clear lines that you
would normally keep straight. Applied successfully,
it will give some surprising results.
With its repeated patterns and blue-and-white details,
the above image looks more like a sculpture than a
tower block – which shows how effective such a simple
technique can be when you find the right subject.

How to get the shot...
Explore the effectiveness of this technique by
photographing scenes with a clear horizon line
Some subjects work better than others. Vertical
lines lend themselves well to being skewed
Choose a depth of field relevant to the subject – use
narrow apertures to keep most of the scene in focus

RULE


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RULE


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f/11 800 ISO 1/125 sec f/16 400 ISO 1/125 sec

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