Welcome
to iPad User Magazine, helping
you to do more with your iPad
W
hen the iPad first launched, we really had no idea
how far it could go. Apple made sure to include the
iWork apps (Pages, Numbers and Keynote) to show that it
could be a serious work machine, but it took other app
developers to show that it could be a powerful creative
tool too (musicians were maybe the first to really unlock
its powers). Now we’re at a point where we can offer you
the chance to upgrade your iPad skills across a range of
creative and productive endeavours, using versions of
apps that are every bit as powerful as desktop
equivalents, and often even more ingenious.
We’ve got tips to make your spreadsheets look more
professional (or fun) using capabilities you may not realise
Numbers has; and similarly we’ll show you new animation
tools in Keynote that can be for giggles or serious use.
We’ve also got a big dive into Pixelmator Photo, which is
a photo-focused image editor with amazing AI tools that
make a better job of auto-fixing pictures than anything
that’s come before. And there are many more guides,
naturally, plus reviews of Apple’s two newest iPads!
Tame Siri and Search
Find out how to personalise your device’s
helpful nature
Keep your kids safe online
Get clued up about iOS features that keep
curious minds on the right track
Animate objects in Keynote
Add eye-catching effects to presentations with
new actions and transitions
Find local info with Maps
Maps doesn’t just know where you are. It
knows what you want, too
Formatting in Numbers
Spreadsheets needn’t be dull. Get creative and
make the figures pop
Meet Pixelmator Photo’s tools
Discover an easy, yet powerful, photo editor
Fix pictures the easy way
Improve photos instantly with Pixelmator
Photo’s AI tools
Make music with SoundForest
Put the fun back into making music with this
incredibly unusual app
iPad Air review
Apple’s new 10.5-inch iPad gets our in-depth
review treatment
iPad Mini review
The smallest iPad gets some big internal
updates in this new version
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Contents
MATT BOLTON Editor