Index
Literary Credits
Chapter 27
READING
27.5Chapter 28
28.428.728.8Chapter 30
30.230.730.830.1030.11Chapter 31
31.131.2143TJ123-8-2009 LK VWD0011 Tradition Humanistic 6th Edition W:220mm x H:292mm 175L 115 Stora Enso M/A Magenta (V)CREDITS AND INDEX 143Numbers in boldrefer to figure numbers. Text
excerpts are indicated by (quoted).
A
abolitionist movement 36, 37, 38
Actor as a Monkey Showman (Kiyonobu) 124,
31.13
Adler, Dankmar see Sullivan, Louis Henry
Adventures of Huckleberry Finn, The (Twain) 81,
83–5 (quoted)
Africa 29, 57, 71, 72–3, 75, 132–4, Map 31.2
beadwork 133, 31.25
sculpture 133, 31.26
African in Algerian Costume (Cordier) 57, 29.11
African-Americans 36–7, 75
painting 103–4, 30.23
sculpture 55, 29.10
see also Douglass, Frederick; Truth, Sojourner
Age of Bronze, The (Rodin) 128–9, 31.21
Agnew Clinic, The (Eakins) 103, 30.21
Aïda (Verdi) 67
Ain’t I a Woman? (Sojourner Truth) 38
Alcott, Louisa May: Little Women 46
Algeria 57, 73, 109
alliteration 19, 26
aluminum 71
An die Freude(Schiller) 62
anarchists 77
Anatomy Lesson of Dr. Nicolaes Tulp, The
(Rembrandt) 103, 30.22
Anna Karenina (Tolstoy) 87
Annan, Thomas 93–4
Close No. 37 High Street 94, 30.5
Anthony, Susan B. 80
Antichrist, The (Nietzsche) 112 (quoted)
Aqa Khan Kirmani 75
“Après-midi d’un faune, L’” (Mallarmé) 114–15
(quoted)
aquatints 51, 69
arabesques 66, 69
Arabs Skirmishing in the Mountains (Delacroix)
53, 29.5
architecture
American 58–9, 107, 127
Belgian Art Nouveau 126–7
British 57–8, 59, 105–6
French 107
German 57
Gothic Revival 57, 58
Neomedieval 57–8
arpeggios 64, 69
Art Nouveau 126–7, 137
Artist’s Letter Rack, The (Harnett) 102, 30.20
Arts and Crafts Movement 123, 126
assonance 8, 19, 26
At the Moulin-Rouge (Toulouse-Lautrec) 124,
31.15
Austen, Jane 46
Sense and Sensibility 46–7
Austria 30, 60automobiles 112, 114
Awakening, The (K. Chopin) 87, 88B
ballet 50, 64–6, 115–16, 129
Baltimore Albion quilt 24, 27.19
Bambara masks 132
Banjo Lesson, The (Tanner) 104, 30.23
Barber of Seville, The (Rossini) 66
Barbizon school 16
Barry, Charles (with A. W. N. Pugin): Houses of
Parliament, London 58, 29.12
Bartholdi, Frédéric-Auguste: Statue of Liberty 55,
29.8
Basket of Apples, The (Cézanne) 139, 31.32
Bath, The (Cassatt) 123, 31.14
Battle Symphony (Beethoven) 62
Baudelaire, Charles 114
beadwork, West African 133, 31.25
Beethoven, Ludwig van 60–2
Battle Symphony 62
Fifth Symphony 61
Ninth Symphony (“Choral”) 60, 62
piano sonatas 60
Sixth Symphony (“Pastoral”) 60, 61, 62
Third Symphony (“Eroica”) 60
Beethoven Composing his “Pastoral” by a Brook
29.15
bel canto(opera) 66, 69
Belgium 71, 73
architecture 12631.23Kunsthaus, Zürich.
31.24Musée Rodin, Paris. Photo: © R.M.N., Paris.
31.25akg-images / François Guenet.
31.26Musée Dapper, Paris.
31.27The Museum of Modern Art, New York. Acquired
through the Lillie P. Bliss Bequest. © 2004, Digital
Image, The Museum of Modern Art, New
York/Scala, Florence.
31.28Musée d’Orsay, Paris. Photo R.M.N.—Gérard Blot.
31.29Museum of New Zealand Te Papa Tongarewa.
B15248.
31.30Photograph © 1998, The Art Institute of Chicago.
All Rights Reserved. Helen Birch Bartlett Memorial
Collection (1926.198).
31.31Photograph © 1998, The Art Institute of Chicago.
All Rights Reserved. Helen Birch Bartlett Memorial
Collection (1926.224).
31.32Photograph © 1998, The Art Institute of Chicago.
All Rights Reserved. Helen Birch Bartlett Memorial
Collection (1926.252).
31.33Philadelphia Museum of Art. George W. Elkins
Collection (Acces. E’36–1–1).The author and publishers wish to thank the following for
permission to use copyright material. Every effort has
been made to trace or contact copyright holders, but if
notified of any omissions or errors, Laurence King
Publishing would be pleased to insert the appropriate
acknowledgement in any subsequent edition of this
publication.
(p. 12): Shen Fu, from Chapters from A Floating Life:
The Autobiography of a Chinese Artist, translated by
Shirley M. Black (Oxford University Press, 1960).
Reprinted by permission of the publisher.
(p. 12): Shen Zhou, “Written on A Landscape Painting in
an Album” from The Columbia Anthology of Traditional
Chinese Literature, edited by Victor H. Mairr, translated
by Daniel Bryant (Columbia University Press, 1994).
Reprinted by permission of the publisher.(p. 36): Alexander Pushkin, “Napoleon” from
Collected Narrative and Lyrical Poetry, translated by
Walter Arndt (Ardis Publishing, 1984). Reprinted by
permission of Ardis/Overlook.
(p. 40): Johann Wolfgang von Goethe, “Prologue in
Heaven” fromFaust:Parts 1 and 2, translated by Louis
McNeice (Oxford University Press, 1951). Reprinted by
permission of David Higham Associates.
(p. 46): Heinrich Heine, “You Are Just Like a Flower”
fromHeinrich Heine: Lyric Poems and Ballads, translated
by Ernst Feise (University of Pittsburgh Press, 1969).
(p. 53):from The Journal of Eugenè Delacroix, translated
by Lucy Norton (Phaidon Press, 1951).(p. 73): Lin Tse-hsu, “Lin Tse-hsu's Moral Advice to
Queen Victoria” (1839) from China's Response to the
Westby Ssu-yu Teng and John King Fairbank (Harvard
University Press, 1954), copyright © 1954, 1979 by the
President and Fellows of Harvard College; copyright
renewed 1982 by Sse-yu Teng and John King Fairbank.(p. 86): Fyodor Dostoevsky, from Crime and
Punishment, edited by Jessie Coulson (Oxford University
Press, 1987). Reprinted by permission of the publisher.
(p. 88): Gustave Flaubert, from Madame Bovary,
translated by Francis Steegmuller (Random House,
1957), copyright © 1957 by Francis Steegmuller.
(p. 90): Emile Zola, from Germinal, translated by
Stanley and Eleanor Hochman (New American Library,
1970), copyright © 1970 by Stanley and Eleanor
Hochman. Used by permission of Dutton Signet, a
division of Penguin Group (USA) Inc.
(p. 91): Henrik Ibsen, “A Doll’s House” from Six
Plays, translated by Eva Le Gallienne (Random House,
1957), copyright © 1957 by Eva Le Gallienne.
(p. 105): John W. McCoubrey, from American Art1700-- Sources and Documents (Prentice-Hall, 1965).
(p. 112): Friedrich Nietzsche, “The Gay Science”
and “Twilight of the Idols” from The Portable Nietzsche,
edited by Walter Kaufmann, translated by Walter
Kaufmann (The Viking Press, 1965), copyright 1954 by
The Viking Press, renewed © 1982 by Viking Penguin
Inc. Used by permission of Viking Penguin, a division of
Penguin Group (USA) Inc
(p. 114): Stephané Mallarmé, “The Afternoon of a
Faun” from The Poetry of Mallarmé, translated by
Aldous Huxley (HarperCollins Publishers, 1952).
(p. 122): Linda Nochlin, from Impressionism and Post-
Impressionism 1874-1904 (Prentice-Hall, 1966).
(p. 136): from Dear Theo: The Autobiography of Vincent
van Gogh, edited by Irving Stone (New American
Library, 1937).