An Introduction to America’s Music
CHAPTER 17 | POSTWAR COUNTRY MUSIC 419 whether coal mining (“Dark as a Dungeon”), truck driving (“Six Days on the Road”), or fac ...
420 PART 4 | SINCE WORLD WAR II timing section text comments 0:00 introduction 4-bar electric guitar solo suggests opening of th ...
CHAPTER 17 | RHYTHM AND BLUES 421 RHYTHM AND BLUES At mid-century the music-industry trade magazine Billboard tabulated retail a ...
422 PART 4 | SINCE WORLD WAR II timing section text comments 0:00 introduction Drum “bomb” begins 8-bar introduction. Rising rif ...
CHAPTER 17 | ROCK AND ROLL 423 indie labels had its own distinctive style, whether the gospel-tinged sound of Atlantic, the elec ...
424 PART 4 | SINCE WORLD WAR II disillusionment. The adult society described in the book is so corrupt—“phony” is a key word—tha ...
CHAPTER 17 | ROCK AND ROLL 425 K The fl amboyance and unorthodox stage behavior of rock and roll performers such as Little Richa ...
426 PART 4 | SINCE WORLD WAR II timing section text comments 0:00 introduction One bar of repeated triplet chords sets the tone, ...
CHAPTER 17 | ROCK AND ROLL 427 clergy but by the consumer marketplace. Youngsters in comfortable circum- stances could now get a ...
428 PART 4 | SINCE WORLD WAR II was set up at the Sun studio. Toward the end of the session, “this song popped into my mind that ...
CHAPTER 17 | ROCK AND ROLL 429 Phillips knew immediately that something important had happened in Elvis’s fi rst recording sessi ...
430 PART 4 | SINCE WORLD WAR II Rock and roll owed much of its popularity to its differences from the music of Tin Pan Alley. Mu ...
CHAPTER 17 | THE URBAN FOLK REVIVAL 431 In the civil rights movement, black Southerners used the weapons of civil disobedience a ...
432 PART 4 | SINCE WORLD WAR II commentary. Similarly, Harry Belafonte scored several calypso hits in the 1950s but kept his mus ...
CHAPTER 17 | THE URBAN FOLK REVIVAL 433 timing section text comments 0:00 stanza 1 If I had a hammer... Seeger accompanies his c ...
434 PART 4 | SINCE WORLD WAR II were still living, such as Clarence Ashley, whose “Cuckoo Bird” (1929) became a favorite record ...
CHAPTER 17 | THE URBAN FOLK REVIVAL 435 and augmenting his repertory of Guthrie songs with material from the Harry Smith antholo ...
436 PART 4 | SINCE WORLD WAR II In each stanza of Dylan’s song, the mother’s questions prompt a fl ood of apoca- lyptic visions ...
CHAPTER 17 | THE URBAN FOLK REVIVAL 437 K The fi nal concert in the 1963 Newport Folk Festival ended with the singing of the spi ...
438 PART 4 | SINCE WORLD WAR II timing section text comments 0:00 stanza 1 A bullet from the back of a bush... A single guitar c ...
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