An Introduction to America’s Music

(Marvins-Underground-K-12) #1

360 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II



  1. Summarize the role of communications technology in the development of
    country music.

  2. Although western swing has jazz influences, not everyone agrees that it
    should be considered a type of jazz. At the same time, Bob Wills insisted that
    his music should not be confused with “hillbilly music.” What evidence sup-
    ports the argument that western swing is jazz? What evidence supports the
    argument that it is country music?

  3. Compare the attitudes and practices of folk song collectors like John and
    Alan Lomax with those of A&R men like Ralph Peer.

  4. Compare the relationship between singer, song, and audience in three cases:
    (1) an Appalachian ballad singer before the arrival of Olive Dame Campbell
    and Cecil Sharp; (2) Leadbelly singing for college students in the Northeast;
    and (3) Pete Seeger performing at a leftist political rally.

  5. Review the opening section of chapter 9 in light of the present chapter. Do
    you agree or disagree with the following statement, and why? “The urban
    folk singers and collectors discarded the distorted ideolog y of Herder and
    his followers, but they replaced it with the new distortions of communist
    ideolog y.”


FURTHER READING
Cray, Ed. Ramblin’ Man: The Life and Times of Woody Guthrie. New York: W.W. Norton, 2004.
George-Warren, Holly. Public Cowboy No. 1: The Life and Times of Gene Autry. New York:
Oxford University Press, 2007.
Gioia, Ted. Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized
American Music. New York: W.W. Norton, 2008.
Harris, Michael W. The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban
Church. New York: Oxford University Press, 1992.
Lieberman, Robbie. My Song Is My Weapon: People’s Songs, American Communism, and the
Politics of Culture, 1930–1950. Urbana: University of Illinois Press, 1989.
Malone, Bill C. Country Music, U.S.A. 2d rev. [i.e., 3d] ed. Austin: University of Texas Press,
2002.
Nelson, Scott Reynolds. Steel Drivin’ Man: John Henry, the Untold Story of an American Legend.
New York: Oxford University Press, 2008.
Wolfe, Charles, and Kip Lornell. The Life and Legend of Leadbelly. New York: HarperCollins,
1992.

FURTHER VIEWING
Times Ain’t Like They Used to Be: Early Rural and Popular American Music, 1928–1935. Sherwin
Dunner and Richard Nevins, producers. DVD. Yazoo, 1992. An antholog y of short
fi lms featuring Jimmie Rodgers, Bob Wills, and other early country, blues, and old-
time musicians.

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