An Introduction to America’s Music

(Marvins-Underground-K-12) #1

CHAPTER 22 | ROCK, ROOTS, AND REBELLION 541


timing section lyrics comment

0:00 introduction 4 bars: Carter-style guitar suggests a Depression-
era setting. Very quiet organ (Optigan) chords
add a subliminal religious aura.
0:07 verse 1 I am an orphan... 8 bars: Welch’s unvarnished voice sings a folklike
melody whose rises and falls resemble Hank
Williams’s “Lost Highway.” Six-string electric
bass adds a very soft bass line played on the
upper strings.
0:23 chorus I have no mother... The 11-bar chorus is less a separate section than
an extension of the verse. Note the extra beat in
bar 9, reminiscent of the extra beats in the Carter
Family’s “Can the Circle Be Unbroken.”
0:46 verse 2 I have had friendships...
1:03 chorus I know no mother... Rawlings adds country-style vocal harmonies in
the choruses and for occasional lines in verses.

1:27 interlude
(instrumental
chorus)

Guitar plays a slightly modifi ed version of the
chorus melody on the lower strings. As in earlier
sections, organ chords swell near the end, only to
recede as the next section begins.

1:50 verse 3 But when he calls me... Welch modifi es the fi rst two phrases to end on a
clipped high note.

2:06 chorus I’ll meet my mother...
2:30 interlude Like the fi rst interlude, with the addition of
a countermelody on the upper strings of the
electric bass.
2:53 verse 4 Blessed savior...

songwriter: Gillian Welch
date: 1996
performers: Gillian Welch, vocal, acoustic
guitar; David Rawlings, vocal, electric guitar,
six-string bass, Optigan; T-Bone Burnett,
Optigan
genre: alt.country
meter: duple
form: verse and chorus

WHAT TO LISTEN FOR


  • “old-timey” sound of Carter-style guitar

  • vocal style and lyrics suggestive of 1930s
    country

  • understated yet sophisticated production
    indicative of song’s 1990s origin


CD 4.14 Listening Guide 22.2 “Orphan Girl” GILLIAN WELCH

(continued)

172028_22_531-558_r3_sd.indd 541 23/01/13 11:20 AM

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