Hammerstein (continued)
the duet “Someone Will Teach
You,” 41n; and the ideology of
community, 82–86, 85n8, 88–89;
and the kitchen scene in Show
Boat, 108n; and the principle of
difference, 165; progressiveness of,
14–15; and recognition, 41–43;
and sentimentality, 210; and set
changes, 159; stage direction of in
South Pacific, 131. See alsoensemble
numbers, “Clambake” version of
Harburg, E. Y., 173
Hardy, Thomas, 158n
Harrigan, Ned, 145
Harrison, Rex, 64
Hart, Moss, 19, 83, 116, 119–20
Hart, Tony, 145
Hedwig and the Angry Inch, 177
“Hello Twelve, Hello Thirteen,
Hello Love,” 98, 99
Herbert, Victor, 13, 116
Herson, Tom, 190n
“High Hat,” 157–58
Hill, Ken, 165
“His name is Mr. Snow,” 135–36
Hobson, Harold, 196–97
Hogle, Jerrold, 167
Hollander, John, 110–11, 111n7
Hughes, Langston, 70, 179
Hytner, Nicholas, 161
“I Can Do That,” 98
“I Could Have Danced All Night,”
7, 64, 67
“I Feel Pretty,” 55–56
“I Got Rhythm,” 32
Idea of a Theater, The(Fergusson), 4
“If I Loved You,” 63, 134, 139
“If I Were a Bell,” 60, 113
“If I Were a Rich Man,” 153
“I’ll Know,” 59–60, 69, 113
“I’m an Ordinary Man,” 65
“I’m Getting Married in the
Morning,” 69, 175
“I’m Just a Girl Who Cain’t Say
No,” 112
“I’m Just a Little Girl from Little
Rock,” 157
“I’m in Love with a Wonderful
Guy,” 131
integration. Seemusicals, and inte-
gration
Into the Woods, 67, 152
Isherwood, Christopher, 23, 94,
199–200
“Isn’t It a Lovely Day,” 176
“It’s a Scandal, It’s an Outrage,” 84
“It’s Getting Hotter in the North,”
114–15, 132
“It’s Got to Be Love,” 103
“It’s Not Easy Being God,” 151
“I’ve Grown Accustomed to Her
Face,” 65, 66, 67
“I’ve Never Been in Love
Before,” 113
Jerry Springer: The Musical, 151
“June Is Bustin’ Out All Over,” 86,
88, 92, 209
“Just You Wait ’enry ’iggins” 66
Kalman, Emmerich, 13
Kander, John, 22–23, 76, 210
Kerman, Joseph, 4; on poetry, 4n6
Kern, Jerome, 1–2, 9–10, 11, 17, 19,
128, 132, 208; and the operetta
tradition, 12; and Show Boat, 114,
114n; use of melodrama by, 132n
Kierkegaard, Søren, 180–82, 198–99
King and I, The, 83, 88–89, 179
Kiss Me, Kate, 17, 109, 111
Knapp, Raymond, 143
Lady, Be Good, 79
Lady in the Dark(1941), 67, 119,
150, 210; book of, 119–20; dream
sequences in, 120, 122, 123; Liza
Elliott character in, 119–20,
122–23