subjects within a shot and their implied proximity
to each other—has been placed there to develop
the narrative’s outcome and meaning. Our inter-
pretations of these on-screen spatial relationships
happen as unconsciously and automatically as they
do in everyday life.
To get a sense of the importance of proximity,
imagine yourself on a crowded dance floor at a club
or party. Among all the other distracting things in
your field of vision, you see an attractive person
looking at you from the opposite end of the room.
You may assign that person some significance from
that distance, but if that same person walks up to you,
virtually filling your field of vision, then the person
suddenly has much greater significance to you and
may provoke a much more profound reaction from
FIGURE 6.2 Basic Aspect Ratios
1.33:1
1.85:1
2.35:1
FRAMING OF THE SHOT 249