FURTHER READING 549Chapter 1: Looking at Movies
Theory and Aesthetics
Aitken, Ian. European Film Theory and Cinema: A Critical
Introduction.Bloomington: Indiana University Press, 2001.
Andrew, J. Dudley. The Major Film Theories: An Introduction. New
York: Oxford University Press, 1976.
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the
Creative Eye. Rev. ed. Berkeley: University of California Press,
1974.
———. Film as Art. Berkeley: University of California Press, 1957.
Bazin, André. What Is Cinema?Trans. Hugh Gray. 2 vols. Berkeley:
University of California Press, 1967–1971.
Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism.
New York: Harcourt Brace, 1958.
Beaver, Frank Eugene. Dictionary of Film Terms: The Aesthetic
Companion to Film Art. New York: Peter Lang, 2006.
Benjamin, Walter. “The Work of Art in the Age of Mechanical
Reproduction.” In Film Theory and Criticism: Introductory
Readings. 791–811. Ed. Leo Braudy and Marshall Cohen. 6th
ed. New York: Oxford University Press, 2004.
Bordwell, David. Poetics of Cinema. New York: Routledge, 2008.
Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism:
Introductory Readings. 7th ed. New York: Oxford University
Press, 2009.
Burch, Noël. Life to Those Shadows.Ed. and trans. Ben Brewster.
Berkeley: University of California Press, 1990.
———. Theory of Film Practice. Trans. Helen R. Lane. Princeton:
Princeton University Press, 1981.
Carroll, Noël. Theorizing the Moving Image. New York: Cambridge
University Press, 1996.
Collins, Jim, Hilary Radner, and Ava Preacher Collins, eds. Film
Theory Goes to the Movies. New York: Routledge, 1993.
Frampton, Daniel. Filmosophy. London: Wallflower, 2006.
Gombrich, E. H. Art and Illusion: A Study in the Psychology of
Pictorial Representation.2nd rev. ed. New York: Bollingen
Foundation, 1961.
Henderson, Brian. A Critique of Film Theory. New York: Dutton, 1980.
Iser, Wolfgang. How to Do Theory. Malden, Mass: Blackwell, 2006.
Konigsberg, Ira. The Complete Film Dictionary.2nd ed. New York:
Penguin, 1997.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical
Reality. New York: Oxford University Press, 1960.
Lehman, Peter, ed. Defining Cinema. New Brunswick, N.J.:
Rutgers University Press, 1997.
Mast, Gerald. Film/Cinema/Movie: A Theory of Experience. New
York: Harper & Row, 1977.
Metz, Christian. Film Language: A Semiotics of the Cinema. Trans.
Michael Taylor. New York: Oxford University Press, 1974.
Panofsky, Erwin. “Style and Medium in the Motion Pictures.” In
Film Theory and Criticism: Introductory Readings.289–302. Ed.
Leo Braudy and Marshall Cohen. 6th ed. New York: Oxford
University Press, 2004.
Ray, Robert B. How a Film Theory Got Lost and Other Mysteries in
Cultural Studies. Bloomington: Indiana University Press,
2001.
Simpson, Philip, Andrew Utterson, and K. J. Shepherdson, eds.
Film Theory: Critical Concepts in Media and Cultural Studies.
4 vols. New York: Routledge, 2004.