An Introduction to Film

(Marvins-Underground-K-12) #1
FURTHER READING 559

Readings.606–619. Ed. Leo Braudy and Marshall Cohen. 6th
ed. New York: Oxford University Press, 2004.
Allen, Robert C., and Douglas Gomery. Film History: Theory and
Practice. New York: Knopf, 1985.
Ankerich, Michael G. Broken Silence: Conversations with Twenty-
three Silent Film Stars. Jefferson, N.C.: McFarland, 1993.
Antonioni, Michelangelo. “Reflections on the Film
Actor.” Film Culture22–23 (Summer 1961): 66–67.
Balio, Tino. Grand Design: Hollywood as a Modern Business
Enterprise, 1930–1939. New York: Scribner, 1993.
Barthes, Roland. “The Face of Garbo.” In Film Theory and Criticism:
Introductory Readings. 589–591. Ed. Leo Braudy and Marshall
Cohen. 6th ed. New York: Oxford University Press, 2004.
Basinger, Jeanine. Silent Stars.New York: Knopf, 1999.
———. The Star Machine. New York: Knopf, 2007.
Bean, Jennifer M., and Diane Negra. Early Women Stars. Durham,
N.C.: Duke University Press, 2001.
Blum, Richard A. American Film Acting: The Stanislavski Heritage.
Ann Arbor, Mich.: UMI Research Press, 1984.
Cardullo, Bert, Harry Geduld, Ronald Gottesman, and Leigh
Woods. Playing to the Camera: Film Actors Discuss Their Craft.
New Haven: Yale University Press, 1998.
Chaplin, Charles. My Autobiography.New York: Simon & Schuster,
1964.
Cole, Toby, and Helen Krich Chinoy, eds. Actors on Acting: The
Theories, Techniques, and Practices of the Great Actors of All
Times as Told in Their Own Words.New York: Crown, 1964.
Coleman, Terry. Olivier.New York: Holt, 2005.
deCordova, Richard. “The Emergence of the Star System in
America,” Wide Angle6, no. 4 (Spring 1985): 4–13.
Dyer, Richard. Heavenly Bodies: Film Stars and Society. 2nd ed.
New York: Routledge, 2004.
Dyer, Richard, and Paul McDonald. Stars. New ed. London: BFI,
1998.
Fischer, Lucy, and Marcia Landy, eds. Stars, the Film Reader. New
York: Routledge, 2004.
Funke, Lewis, and John E. Booth, eds. Actors Talk about Acting:
Fourteen Interviews with Stars of the Theatre. New York:
Random House, 1961.
Gardner, P. “Bette Davis: A Star Views Directors.” Actionno. 5
(October 1974): 10–17.
Gish, Lillian, with Ann Pinchot. Lillian Gish: The Movies, Mr.
Griffith, and Me. Englewood Cliffs, N.J.: Prentice-Hall, 1969.
Gledhill, Christine, ed. Stardom: Industry of Desire.New York:
Routledge, 1991.
Higson, Andrew. “Film Acting and Independent Cinema.” Screen
27, nos. 3–4 (May–August 1986): 110–132.
Hirsch, Foster. Acting Hollywood Style: With Photographs from the
Kobal Collection. New York: Abrams, 1991.
———. A Method to Their Madness: The History of the Actors Studio.
New York: Norton, 1984.
Kael, Pauline. “The Man from Dream City (Cary Grant).” New
Yo r k e r51 (July 14, 1975), 40–42 ff.
Kanfer, Stefan. Somebody: The Reckless Life and Remarkable
Career of Marlon Brando. New York: Alfred A. Knopf, 2008.
———. Tough Without a Gun: The Life and Extraordinary
Afterlife of Humphrey Bogart. New York: Alfred A. Knopf,
2011.
Keane, Marian. “Dyer Straits: Theoretical Issues in Studies of
Film Acting.” Post Script: Essays in Film and the Humanities12,
no. 2 (Winter 1993): 29–39.


McDonald, Paul. The Star System: Hollywood’s Production of
Popular Identities. London: Wallflower, 2000.
Merritt, Russell. “The Griffith-Gish Collaboration: A Tangled
Affair.” Griffithiana14, nos. 40–42 (October 1991): 101–103.
Morin, Edgar. The Stars. Trans. Richard Howard. Minneapolis:
University of Minnesota Press, 2005.
Munk, Erika, ed. Stanislavski and America: An Anthology from the
“Tulane Drama Review.”New York: Hill & Wang, 1966.
Olivier, Laurence. Confessions of an Actor: An Autobiography.1982;
repr., New York: Penguin, 1984.
———. On Acting. New York: Simon & Schuster, 1986.
Phillips, Alastair, and Ginette Vincendeau, eds. Journeys of Desire:
European Actors in Hollywood—a Critical Companion. London:
BFI, 2006.
Stanislavksi, Constantin. An Actor Prepares. Trans. Elizabeth
Reynolds Hapgood. New York: Theatre Arts, 1936.
———. Building a Character. Trans. Elizabeth Reynolds Hapgood.
New York: Theatre Arts, 1949.
Strasberg, Lee. Strasberg at the Actors Studio: Tape-recorded
Sessions.Ed. Robert H. Hethmon. New York: Viking, 1965.
Vineberg, Steven. Method Actors: Three Generations of an American
Acting Style.New York: Schirmer, 1991.
Walker, Alexander. Stardom: The Hollywood Phenomenon. New
York: Stein & Day, 1970.
Weis, Elisabeth, ed. The National Society of Film Critics on the Movie
Star. New York: Viking, 1981.
Yacowar, Maurice. “An Aesthetic Defense of the Star System in
Films,” Quarterly Review of Film Studies4, no. 1 (Winter 1979):
39–52.

Aspects of Performance
Barr, Tony. Acting for the Camera. Boston: Allyn & Bacon, 1982.
Budd, Michael. “Genre, Director, and Stars in John Ford’s
Westerns: Fonda, Wayne, Stewart, and Widmark.” Wide Angle
2, no. 4 (1978): 52–61.
Cukor, George. “Dialogue on Film: George Cukor.” American Film
3, no. 4 (February 1978): 33–48.
McVay, Douglas. “The Art of the Actor.” Films and Filming12, no.
10 (July 1966): 19–25.
———. “The Art of the Actor.” Films and Filming12, no. 11 (August
1966): 36–42.
———. “The Art of the Actor.” Films and Filming12, no. 12
(September 1966): 44–50.
———. “The Art of the Actor.” Films and Filming13, no. 1 (October
1966): 26–33.
———. “The Art of the Actor.” Films and Filming13, no. 2
(November 1966): 26–33.
Meyerson, Harold. “The Case of the Vanishing Character Actor.”
Film Comment13, no. 6 (November–December 1977): 6–15.
Prouse, Derek. “Notes on Film Acting.” Sight and Sound24, no. 4
(Spring 1955): 174–180.
Rogosin, Lionel. “Interpreting Reality: Notes on the Esthetics
and Practices of Improvisational Acting.” Film Cultureno. 21
(Summer 1960): 20–29.
Rosenbaum, Jonathan. “Improvisations and Interactions in
Altmanville.” Sight and Sound44, no. 2 (Spring 1975): 90–95.
Tomlinson, Doug, ed. Actors on Acting for the Screen: Roles and
Collaborations.New York: Garland, 1994.
Tucker, Patrick. Secrets of Screen Acting. New York: Routledge,
1994.
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