An Introduction to Film

(Marvins-Underground-K-12) #1

LoBrutto, Vincent. Sound-on-Film: Interviews with Creators of Film
Sound. Westport, Conn.: Praeger, 1994.
Madsen, Roy Paul. Working Cinema: Learning from the Masters.
Belmont, Calif.: Wadsworth, 1990.
Murch, Walter. “Sound Design: The Dancing Shadow.” In
Projections 4: Film-makers on Film-making.237–251. Ed. John
Boorman et al. London: Faber and Faber, 1995.
Pasquariello, Nicholas. Sounds of Movies: Interviews with the
Creators of Feature Sound Tracks. San Francisco: Port Bridge
Books, 1996.
Sonnenschein, David. Sound Design: The Expressive Power of Music,
Voice, and Sound Effects in Cinema. Studio City, Calif.: Wiese,
2001.
Thom, Randy. “Designing a Movie for Sound.” March 13, 1999.
http://www.filmsound.org/randythom. Accessed September 2002.
Weis, Elisabeth. The Silent Scream: Alfred Hitchcock’s Sound Track.
Rutherford, N.J.: Fairleigh Dickinson University Press, 1982.
Whittington, William. Sound Design and Science Fiction. Austin:
University of Texas Press, 2007.


Recording
Sergi, Gianluca. The Dolby Era: Film Sound in Contemporary
Hollywood.Manchester: Manchester University Press, 2004.


Editing
Amyes, Tim. The Technique of Audio Post-Production in Video and
Film. Library of Communication Techniques. Boston: Focal
Press, 1990.
Kerner, Marvin M. The Art of the Sound Effects Editor. Boston:
Focal Press, 1989.


Types of Film Sound
Vocal Sounds
Kozloff, Sarah. Invisible Storytellers: Voice-Over Narration in
American Fiction Film. Berkeley: University of California
Press, 1988.
———. Overhearing Film Dialogue. Berkeley: University of
California Press, 2000.


Environmental Sounds
Mantell, H. The Complete Guide to the Creation and Use of Sound
Effects for Films, TV and Dramatic Productions. Princeton:
Films for the Humanities, 1983.


Music
Brown, Royal S. Overtones and Undertones: Reading Film Music.
Berkeley: University of California Press, 1994.
Burt, George. The Art of Film Music: Special Emphasis on Hugo
Friedhofer, Alex North, David Raskin, Leonard Rosenman.
Boston: Northeastern University Press, 1994.
Cooke, Mervyn. A History of Film Music. New York: Cambridge
University Press, 2008.
———, ed. The Hollywood Film Music Reader. New York: Oxford
University Press, 2010.
Copland, Aaron. “Film Music.” In What to Listen for in Music.
152–157. New York: McGraw-Hill, 1957.
Coyle, Rebecca, ed. Reel Tracks: Australian Feature Film Music and
Cultural Identities. Eastleigh, Eng.: Libbey, 2005.


Dickinson, Kay, ed. Movie Music: The Film Reader. New York:
Routledge, 2003.
———. Off Key: When Film and Music Won’t Work Together. New York:
Oxford University Press, 2008.
Donnelly, Kevin. Film and Television Music: The Spectre of Sound.
London, BFI, 2005.
Eisler, Hanns. Composing for the Films. New York: Oxford
University Press, 1947.
Goldmark, Daniel. Tunes for ’Toons: Music and the Hollywood
Cartoon.Berkeley: University of California Press, 2005.
Goldmark, Daniel, Lawrence Kramer, and Richard Leppert.
Beyond the Sountrack: Representing Music in Cinema. Berkeley:
University of California Press, 2007.
Hickman, Roger. Reel Music: Exploring 100 Years of Movie Music.
New York: Norton, 2006.
Hischak, Thomas S. The Oxford Companion to the American
Musical. New York: Oxford University press, 2008.
Inglis, Ian, ed. Popular Music and Film. London: Wallflower, 2003.
Jones, Chuck. “Music and the Animated Cartoon.”
Hollywood Quarterly1, no. 4 (July 1946): 364–370.
Kalinak, Kathryn. How the West Was Sung: Music in the Westerns of
John Ford. Berkeley: University of California Press, 2007.
———. Settling the Score: Music and the Classical Hollywood Film.
Madison: University of Wisconsin Press, 1992.
Karlin, Fred. Listening to Movies: The Film Lover’s Guide to Film
Music.New York: Schirmer, 1994.
Karlin, Fred, and Rayburn Wright. On the Track: A Guide to
Contemporary Film Scoring. 2nd ed. New York: Routledge,
2004.
Lack, Russell. Twenty-four Frames Under: A Buried History of Film
Music. London: Quartet, 1997.
London, Kurt. Film Music. Trans. Eric S. Bensinger. 1936; repr.,
New York: Arno, 1970.
MacDonald, Laurence E. The Invisible Art of Film Music: A
Comprehensive History.New York: Ardsley House, 1998.
Marks, Martin Miller. Music and the Silent Film: Contexts and Case
Studies, 1895–1924. New York: Oxford University Press, 1997.
Marmorstein, Gary. Hollywood Rhapsody: Movie Music and Its
Makers, 1900 to 1975.New York: Schirmer, 1997.
Morgan, David. Knowing the Score: Film Composers Talk about the
Art, Craft, Blood, Sweat, and Tears of Writing Music for Cinema.
New York: Harper- Entertainment, 2000.
Newman, William S. Understanding Music: An Introduction to
Music’s Elements, Styles, and Forms for Both the Layman and the
Practitioner.2nd ed. New York: Harper, 1961.
Prendergast, Roy M. Film Music, a Neglected Art: A Critical Study
of Music in Films.2nd ed. New York: Norton, 1992.
Romney, Jonathan, and Adrian Wootton, eds. Celluloid Jukebox:
Popular Music and the Movies since the 50s. London: BFI, 1995.
Russell, Mark, and James Young. Film Music. Boston: Focal Press,
2000.
Schelle, Michael. The Score: Interviews with Film Composers.Los
Angeles: Silman-James, 1999.
Smith, Jeff. The Sounds of Commerce: Marketing Popular Film
Music. New York: Columbia University Press, 1998.
Sullivan, Jack. Hitchcock’s Music. New Haven: Yale University
Press, 2006.
Thomas, Tony. Music for the Movies.2nd ed. Los Angeles: Silman-
James, 1997.
Timm, Larry M. The Soul of Cinema: An Appreciation of Film Music.
Upper Saddle River, N.J.: Prentice-Hall, 1998.

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