An Introduction to Film

(Marvins-Underground-K-12) #1

Gallagher, Tag. The Adventures of Roberto Rossellini: His Life and
Films. New York: Da Capo, 1998.
Leprohon, Pierre. The Italian Cinema. Trans. Roger Greaves and
Oliver Stallybrass. New York: Praeger, 1972.
Liehm, Mira. Passion and Defiance: Film in Italy from 1942 to the
Present.Berkeley: University of California Press, 1984.
Marcus, Millicent. Italian Film in the Light of Neorealism. Princeton:
Princeton University Press, 1986.
Overby, David, ed. and trans. Springtime in Italy: A Reader on Neo-
Realism. London: Talisman, 1978.
Pacifici, Sergio J. “Notes toward a Definition of Neorealism.” Yale
French Studies17 (Summer 1956): 44–53.
Sitney, P. Adams. Vital Crises in Italian Cinema: Iconography,
Stylistics, Politics.Austin: University of Texas Press, 1995.
Wagstaff, Christopher. Italian Neorealist Cinema: An Aesthetic
Approach. Toronto: University of Toronto Press, 2007.


French New Wave
Brody, Richard. Everything Is Cinema: The Working Life of Jean-Luc
Godard.New York: Metropolitan/ Holt, 2008.
Crisp, Colin. The Classic French Cinema, 1930–1960.Bloomington:
Indiana University Press, 1993.
Godard, Jean-Luc. Godard on Godard: Critical Writings.New York:
Viking, 1972.
Graham, Peter, ed. The New Wave: Critical Landmarks.Garden
City, N.Y.: Doubleday, 1968.
Greene, Naomi. The French New Wave: A New Look. London:
Wallflower, 2007.
Hayward, Susan. French National Cinema. 2nd ed. New York:
Routledge, 2005.
Hillier, Jim, ed. Cahiers du Cinéma, the 1950s: Neo-Realism,
Hollywood, New Wave.Cambridge, Mass.: Harvard University
Press, 1985.
——— , e d. Cahiers du Cinéma, 1960–1968: New Wave, New Cinema,
Reevaluating Hollywood. Cambridge, Mass.: Harvard
University Press, 1986.
Insdorf, Annette. François Truffaut. Rev. ed. New York: Cambridge
University, Press, 1994.
McCabe, Colin. Godard: A Portrait of the Artist at Seventy.New
York: Farrar, Strauss, and Giroux, 2004.
Monaco, James. The New Wave: Truffaut, Godard, Chabrol, Rohmer,
Rivette.New York: Oxford University Press, 1976.
Mussman, Toby, ed. Jean-Luc Godard: A Critical Anthology.New
York: Dutton, 1968.
Neupert, Richard. A History of the French New Wave Cinema.
Madison: University of Wisconsin Press, 2002.
Ostrowska, Dorota. Reading the French New Wave: Critics, Writers
and Art Cinema in France. London: Wallflower, 2008.
Powrie, Phil, ed. The Cinema of France. London: Wallflower,
2006.
Sterritt, David. The Films of Jean-Luc Godard: Seeing the Invisible.
New York: Cambridge University Press, 1999.
Truffaut, François. The Films in My Life.Trans. Leonard Mayhew.
New York: Simon & Schuster, 1978.


New Cinemas in Postwar Europe and Asia
Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of
Entertainment. Cambridge, Mass.: Harvard University Press,
2000.


Charles, John. The Hong Kong Filmography, 1977–1997: A Complete
Reference to 1,100 Films Produced by British Hong Kong Studios.
Jefferson, N.C.: McFarland, 2000.
Cheuk, Pak Tong. Hong Kong New Wave Cinema (1978–2000).
Bristol: Intellect, 2008.
Chow, Rey. Sentimental Fabulations—Contemporary Chinese Films:
Attachment in the Age of Global Visibility.New York: Columbia
University Press, 2007.
Dennison, Stephanie, and Song Hwee Lim, eds. Remapping World
Cinema: Identity, Culture and Politics in Film. London:
Wallflower, 2006.
Fu, Poshek, and David Desser, eds. The Cinema of Hong Kong:
History, Arts, Identity.New York: Cambridge University Press,
2000.
Logan, Bey. Hong Kong Action Cinema. London: Titan, 1995.
Nochimson, Martha P. Dying to Belong: Gangster Movies in
Hollywood and Hong Kong.Malden, Mass.: Blackwell, 2007.
Nowell-Smith, Geoffrey. Making Waves: New Cinemas of the 1960s.
New York: Continuum, 2008.
Stokes, Lisa Odham, and Michael Hoover. City on Fire: Hong Kong
Cinema. New York: Verso, 1999.
Stringer, Julian. Blazing Passions: Contemporary Hong Kong
Cinema. London: Wallflower, 2007.
Tasker, Yvonne, ed. Fifty Contemporary Filmmakers. London:
Routledge, 2002.
Teo, Stephen. Hong Kong Cinema: The Extra Dimensions. London:
BFI, 1997.
Yau, Esther C. M., ed. At Full Speed: Hong Kong Cinema in a
Borderless World. Minneapolis: University of Minnesota Press,
2001.
Zhang, Yingjin. Chinese National Cinema. New York: Routledge,
2004.

The New American Cinema
Andrew, Geoff. Stranger Than Paradise: Maverick Film-makers in
Recent American Cinema.London: Prion, 1998.
Arthur, Paul. A Line of Sight: American Avant-Garde Film since
1965.Minneapolis: University of Minnesota Press, 2005.
Biskind, Peter. Down and Dirty Pictures: Miramax, Sundance and
the Rise of Independent Film.New York: Simon & Schuster,
2004.
———. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ’n’
Roll Generation Saved Hollywood.New York: Simon &
Schuster, 1998.
Friedman, Lester D., ed. American Cinema of the 1970s: Themes and
Variations.New Brunswick, N.J.: Rutgers University Press,
2007.
Goodwin, Michael, and Naomi Wise. On the Edge: The Life and
Times of Francis Coppola. New York: Morrow, 1989.
Grant, Barry Keith. American Cinema of the 1960s: Themes and
Variations. New Brunswick, N.J.: Rutgers University Press,
2008.
Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of
the New Hollywood. New York: Penguin, 2008.
Hillier, Jim. The New Hollywood. New York: Continuum, 1992.
James, David E. Allegories of Cinema: American Film in the Sixties.
Princeton: Princeton University Press, 1989.
Kashner, Sam, and Jennifer MacNair. The Bad and the Beautiful:
Hollywood in the Fifties. New York: Norton, 2002.

566 FURTHER READING

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