FURTHER READING 567King, Geoff. New Hollywood Cinema: An Introduction. New York:
Columbia University Press, 2002.
Levy, Emanuel. Cinema of Outsiders: The Rise of American
Independent Film. New York: New York University Press, 1999.
Lewis, Jon, ed. The End of Cinema as We Know It: American Film in
the Nineties. New York: New York University Press, 2001.
———, ed. The New American Cinema. Durham, N.C.: Duke
University Press, 1998.
McBride, Joseph. Steven Spielberg: A Biography. New York: Simon
& Schuster, 1997.
McGilligan, Patrick. Robert Altman, Jumping off the Cliff: A
Biography of the Great American Director.New York: St.
Martin’s, 1989.
Neale, Steve, and Murray Smith, eds. Contemporary Hollywood
Cinema. New York: Routledge, 1998.
Pierson, John. Spike, Mike, Slackers and Dykes: A Guided Tour
across a Decade of American Inde pendent Cinema.New York:
Miramax/Hyperion, 1997.
Prince, Stephen, ed. American Cinema of the 1980s: Themes and
Variations.New Brunswick, N.J.: Rutgers University Press,
2007.
Pye, Michael, and Lynda Myles. The Movie Brats: How the Film
Generation Took over Hollywood.New York: Holt, Rinehart and
Winston, 1979.
Ryan, Michael, and Douglas Kellner. Camera Politica: The Politics
and Ideology of Contemporary Hollywood Film. Bloomington:
Indiana University Press, 1988.
Thompson, Kristin. Storytelling in the New Hollywood:
Understanding Classical Narrative Technique.Cambridge,
Mass.: Harvard University Press, 1999.
Williams, Linda Ruth, and Michael Hammond, eds. Contemporary
American Cinema.Boston: Open University Press, 2006.
Other Topics in Film History
Race and Ethnicity in American Film History
Bernardi, Daniel, ed. The Birth of Whiteness: Race and the
Emergence of U.S. Cinema. New Brunswick, N.J.: Rutgers
University Press, 1996.
Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks: An
Interpretive History of Blacks in American Films. 4th ed. New
York: Continuum, 2001.
Bowser, Pearl, and Louise Spence. Writing Himself into History:
Oscar Micheaux, His Silent Films, and His Audiences. New
Brunswick, N.J.: Rutgers University Press, 2000.
Cham, Mbye B., and Claire Andrade-Watkins, eds. Blackframes:
Critical Perspectives on Black Independent Cinema. Cambridge,
Mass.: MIT Press, 1988.
Courtney, Susan. Hollywood Fantasies of Miscegenation:
Spectacular Narratives of Gender and Race. Princeton:
Princeton University Press, 2005.
Cripps, Thomas. Black Film as Genre. Bloomington: Indiana
University Press, 1978.
———. Making Movies Black: The Hollywood Message Movie from
World War II to the Civil Rights Era. New York: Oxford
University Press, 1993.
———. Slow Fade to Black: The Negro in American Film, 1900–1942.
New York: Oxford University Press, 1977.
Diawara, Manthia, ed. Black American Cinema. New York:
Routledge, 1993.
Feng, Peter X. Identities in Motion: Asian American Film and Video.
Durham, N.C.: Duke University Press, 2002.
Gabbard, Krin. Black Magic: White Hollywood and African
American Culture. New Brunswick, N.J.: Rutgers University
Press, 2004.
George, Nelson. Blackface: Reflections on African Americans and the
Movies. New York: HarperCollins, 1994.
Guerrero, Edward. Framing Blackness: The African American
Image in Film. Philadelphia: Temple University Press, 1993.
hooks, bell. Reel to Real: Race, Sex, and Class at the Movies. New
York: Routledge, 1996.
Jones, G. William. Black Cinema Treasures: Lost and Found.
Denton: University of North Texas Press, 1991.
Martinez, Gerald, Diana Martinez, and Andres Chavez. What It
Is...What It Was!: The Black Film Explosion of the ’70s in
Words and Pictures. New York: Miramax/Hyperion, 1998.
Moon, Spencer. Reel Black Talk: A Sourcebook of 50 American
Filmmakers. Westport, Conn: Greenwood, 1997.
Murray, James P. To Find an Image: Black Films from Uncle Tom to
Super Fly. Indianapolis: Bobbs-Merrill, 1973.
Noriega, Chon A. Chicanos and Film: Representation and Resistance.
Minneapolis: University of Minnesota Press, 1992.
Null, Gary. Black Hollywood: From 1970 to Today.Secaucus, N.J.:
Carol, 1993.
———. Black Hollywood: The Negro in Motion Pictures. Secaucus,
N.J.: Citadel, 1975.
Reid, Mark A. Black Lenses, Black Voices: African American Film
Now. Lanham, Md.: Rowman & Littlefield, 2005.
———. Redefining Black Film. Berkeley: University of California
Press, 1993.
———, ed. Spike Lee’s “Do the Right Thing.”New York: Cambridge
University Press, 1997.
Rhines, Jesse Algernon. Black Film, White Money. New Brunswick,
N.J.: Rutgers University Press, 1996.
Richards, Larry. African American Films through 1959: A
Comprehensive, Illustrated Filmography. Jefferson, N.C.:
McFarland, 1998.
Ross, Karen. Black and White Media: Black Images in Popular Film
and Television. Cambridge, Mass.: Polity, 1996.
Sampson, Henry T. Blacks in Black and White: A Source Book on
Black Films. 2nd ed. Metuchen, N.J.: Scarecrow, 1995.
———. That’s Enough, Folks: Black Images in Animated Cartoons,
1900–1960. Lanham, Md.: Scarecrow, 1998.
Smith, Valerie, ed. Representing Blackness: Issues in Film and Video.
New Brunswick, N.J.: Rutgers University Press, 1997.
Watkins, S. Craig. Representing: Hip Hop Culture and the Production
of Black Cinema. Chicago: University of Chicago Press, 1998.
Willis, Sharon. High Contrast: Race and Gender in Contemporary
Hollywood Film. Durham, N.C.: Duke University Press, 1997.
Yearwood, Gladstone L. Black Cinema Aesthetics: Issues on
Independent Black Filmmaking. Athens: Center for Afro-
American Studies, Ohio University, 1982.
Young, Lola. Fear of the Dark: ‘Race’, Gender and Sexuality in the
Cinema. New York: Routledge, 1996.National Cinemas
Barton, Ruth. Irish National Cinema. New York: Routledge, 2004.
Gittings, Christopher E. Canadian National Cinema: Ideology,
Difference and Representation.New York: Routledge, 2002.