An Introduction to Film

(Marvins-Underground-K-12) #1

Hake, Sabine. German National Cinema.2nd ed. New York:
Routledge, 2008.
Hjort, Mette, and Duncan Petrie, eds. The Cinema of Small Nations.
Bloomington: Indiana University Press, 2007.
Maingard, Jacqueline. South African National Cinema. New York:
Routledge, 2007.
Noble, Andrea. Mexican National Cinema. New York: Routledge,
2005.
Shaw, Lisa, and Stephanie Dennison. Brazilian National Cinema.
New York: Routledge, 2007.
Soila, Tytti, Astrid Soderbergh-Widding, and Gunnar, Iversen,
eds. Nordic National Cinemas. New York: Routledge, 1998.
Street, Sarah. British National Cinema.2nd ed. New York:
Routledge, 2009.
Triana-Toribio, Núria. Spanish National Cinema. New York:
Routledge, 2003.


Women and Film History
Abramowitz, Rachel. Is That a Gun in Your Pocket?: Women’s
Experience of Power in Hollywood. New York: Random House,
2000.
Basinger, Jeanine. A Woman’s View: How Hollywood Spoke to
Women, 1930–1960. New York: Knopf, 1993.
Beauchamp, Cari. Without Lying Down: Frances Marion and the
Powerful Women of Early Hollywood. New York: Scribner, 1997.
Beckman, Karen. Vanishing Women: Magic, Film, and Feminism.
Durham, N.C.: Duke University Press, 2003.
Francke, Lizzie. Script Girls: Women Screenwriters in Hollywood.
London: BFI, 1994.
Mayne, Judith. Framed: Lesbians, Feminists, and Media Culture.
Minneapolis: University of Minnesota Press, 2000.
Petro, Patrice. Aftershocks of the New: Feminism and Film History.
New Brunswick, N.J.: Rutgers University Press, 2002.
Rich, B. Ruby. Chick Flicks: Theories and Memories of the Feminist
Film Movement. Durham, N.C.: Duke University Press, 1998.
Thornham, Sue, ed. Feminist Film Theory: A Reader.
New York: New York University Press, 1999.


Gay and Lesbian Film History
Aaron, Michele. New Queer Cinema: A Critical Reader.New
Brunswick, N.J.: Rutgers University Press, 2004.
Benshoff, Harry M., and Sean Griffin. Queer Images: A History of
Gay and Lesbian Film in America. Lanham, Md.: Rowman &
Littlefield, 2006.
———, eds. Queer Cinema: The Film Reader. New York: Routledge,
2004.
de Lauretis, Teresa. Technologies of Gender: Essays on Theory, Film,
and Fiction. Bloomington: Indiana University Press, 1987.
Doty, Alexander. Flaming Classics: Queering the Film Canon. New
York: Routledge, 2000.
———. Making Things Perfectly Queer: Interpreting Mass Culture.
Minneapolis: University of Minnesota Press, 1993.
Dyer, Richard. The Culture of Queers. New York: Routledge, 2002.
———. Gays and Film.Rev. ed. New York: New York Zoetrope,
1984.
———. Now You See It: Studies in Lesbian and Gay Film. 2nd ed.
New York: Routledge, 2003.
———. Only Entertainment. 2nd ed. New York: Routledge, 2002.
Gerstner, David A., ed. Routledge International Encyclopedia of
Queer Culture. New York: Routledge, 2006.


Gever, Martha, Pratibha Parma, and John Greyson, eds. Queer
Looks: Perspectives on Lesbian and Gay Film and Video. New
York: Routledge, 1993.
Gross, Larry. Up from Invisibility: Lesbians, Gay Men, and the Media
in America. New York: Columbia University Press, 2001.
Grossman, Andrew, ed. Queer Asian Cinema: Shadows in the Shade.
New York: Harrington Park, 2000.
Hanson, Ellis, ed. Out Takes: Essays on Queer Theory and Film.
Durham, N.C.: Duke University Press, 1999.
Holmlund, Chris, and Cynthia Fuchs, eds. Between the Sheets, in
the Streets: Queer, Lesbian, Gay Documentary. Minneapolis:
University of Minnesota Press, 1997.
Lang, Robert. Masculine Interests: Homoerotics in Hollywood Film.
New York: Columbia University Press, 2002.
Lehman, Peter, ed. Masculinity: Bodies, Movies, Culture. New York:
Routledge, 2001.
Mann, William J. Behind the Screen: How Gays and Lesbians Shaped
Hollywood, 1910–1969. New York: Viking, 2001.
Russo, Vito. The Celluloid Closet: Homosexuality in the Movies. Rev.
ed. New York: Harper & Row, 1987.
Sua ́rez, Juan A. Bike Boys, Drag Queens and Superstars: Avant-
Garde, Mass Culture, and Gay Identities in the 1960s Under -
ground Cinema. Bloomington: Indiana University Press, 1996.
Tinkcom, Matthew. Working Like a Homosexual: Camp, Capital,
and Cinema. Durham, N.C.: Duke University Press, 2002.
Tyler, Parker. Screening the Sexes: Homosexuality in the Movies. New
York: Da Capo. 1993.
Villarejo, Amy. Lesbian Rule: Cultural Criticism and the Value of
Desire. Durham, N.C.: Duke University Press, 2003.
Waugh, Thomas. The Fruit Machine: Twenty Years of Writing on
Queer Cinema. Durham, N.C.: Duke University Press, 2000.
———. Hard to Imagine: Gay Male Eroticism in Photography and
Film from Their Beginnings to Stonewall. New York: Columbia
University Press, 1996.
White, Patricia. Uninvited: Classical Hollywood Cinema and Lesbian
Representability. Bloomington: Indiana University Press, 1999.
Wilton, Tamsin, ed. Immortal, Invisible: Lesbians and the Moving
Image. New York: Routledge, 1995.

Chapter 11: Film Technologies and
Production Systems
Hollywood and Business:
The Whole Equation
Balio, Tino, ed. The American Film Industry.Rev. ed. Madison:
University of Wisconsin Press, 1985.
Behlmer, Rudy, and Tony Thomas. Hollywood’s Hollywood: The
Movies about the Movies. Secaucus, N.J.: Citadel, 1975.
Compaine, Benjamin M., and Douglas Gomery. Who Owns the
Media?: Competition and Concentration in the Mass Media
Industry.3rd ed. Mahwah, N.J.: Erlbaum, 2000.
Cones, John W. Film Finance and Distribution: A Dictionary of
Terms. Los Angeles: Silman-James, 1992.
Epstein, Edward Jay. The Big Picture: Money and Power in
Hollywood.New York: Random House, 2005.
———. The Hollywood Economist: The Hidden Financial Reality
behind the Movies. Brooklyn, NY: Melville House, 2010.
Fuchs, Daniel. The Golden West: Hollywood Stories. Boston: Godine,
2005.

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