An Introduction to Film

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FURTHER READING 569

Grainge, Paul. Brand Hollywood: Selling Entertainment in a Global
Media Age.New York: Routledge, 2008.
Kindem, Gorham, ed. The American Movie Industry: The Business of
Motion Pictures. Carbondale: Southern Illinois University
Press, 1982.
McDonald, Paul, and Janet Wasko, eds. The Contemporary
Hollywood Film Industry. Malden, Mass.: Blackwell, 2008.
Scott, Allen J. On Hollywood: The Place, the Industry.Princeton:
Princeton University Press, 2005.
Sedgwick, John, and Michael Pokorny, eds. An Economic History of
Film.New York: Routledge, 2004.
Simon, Deke, and Michael Wiese. Film & Video Budgets.4th ed.
Studio City, Calif.: Wiese, 2006.
Stringer, Julian, ed. Movie Blockbusters. New York: Routledge,
2003.
Thomson, David. The Whole Equation: A History of Hollywood.New
York: Knopf, 2005.
Weinberg, Bernard. “What Makes Boys Laugh: A Philosophy
Major Finds the Golden Touch.” New York Times(July 23,
1998), sec. E, p. 5.


Producers, Directors, and Others Involved
in Movie Production
Baker, Barbara. Let the Credits Roll: Interviews with Film Crew.
Jefferson, N.C.: McFarland, 2003.
Behlmer, Rudy, ed. Memo from David O. Selznick. New York: Viking,
1972.
Berg, A. Scott. Goldwyn: A Biography. New York: Knopf, 1989.
Bergman, Ingmar. The Magic Lantern: An Auto biography.Trans.
Joan Tate. New York: Viking/ Penguin, 1988.
Bernstein, Matthew. Walter Wanger, Hollywood Independent.
Minneapolis: University of Minnesota Press, 2000.
Bogdanovich, Peter. Who the Devil Made It. New York: Knopf, 1997.
Brouwer, Alexandra, and Thomas Lee Wright. Working in
Hollywood: 64 Film Professionals Talk about Moviemaking. New
York: Crown, 1990.
Bruck, Connie. When Hollywood Had a King: The Reign of Lew
Wasserman, Who Leveraged Talent into Power and Influence.New
York: Random House, 2003.
Cousins, Mark. Scene by Scene: Film Actors and Directors Discuss Their
Wo r k. London: Laurence King, 2002.
Custen, George F. Twentieth Century’s Fox: Darryl F. Zanuck and
the Culture of Hollywood. New York: Basic, 1997.
Dmytryk, Edward. On Screen Directing. Boston: Focal Press, 1984.
Eyman, Scott. Lion of Hollywood: The Life and Legend of Louis B.
Mayer. New York: Simon & Schuster, 2005.
Duchovnay, Gerald. Film Voices: Interviews from “Post Script.”
Albany: State University of New York Press, 2004.
Fitzgerald, F. Scott. The Last Tycoon: An Unfinished Novel. New
York: Scribner, 1941.
Fraser-Cavassoni, Natasha. Sam Spiegel. New York: Simon &
Schuster, 2003.
Huston, John. An Open Book. New York: Knopf, 1980.
Kagan, Jeremy. Directors Close Up: Interviews with Directors
Nominated for Best Film by the Directors Guild of America.2nd
ed. Lanham, Md.: Scarecrow, 2006.
Katz, Steven D. Film Directing Shot by Shot: Visualizing from
Concept to Screen.Studio City, Calif.: Wiese, 1991.
Kingdon, Tom. Total Directing: Integrating Camera and Performance
in Film and Television.Los Angeles: Silman-James, 2004.


Kurosawa, Akira. Something Like an Autobiography.Trans. Audie
E. Bock. New York: Vintage, 1983.
Lazarus, Paul N., III. The Film Producer.New York: St. Martin’s,
1992.
Linson, Art. A Pound of Flesh: Perilous Tales of How to Produce
Movies in Hollywood. New York: Grove, 1993.
———. What Just Happened?: Bitter Hollywood Tales from the Front
Line.New York: Bloomsbury, 2002.
Lumet, Sidney. Making Movies. New York: Knopf, 1995.
Lyman, Rick. Watching Movies: The Biggest Names in Cinema Talk
about the Films That Matter Most. New York: Times, 2003.
Mackendrick, Alexander. On Film-making: An Introduction to the
Craft of the Director.Ed. Paul Cronin. London: Faber and
Faber, 2004.
Obst, Linda. Hello, He Lied: And Other Truths from the Hollywood
Trenches.New York: Broadway, 1997.
Rachlin, Harvey. The TV and Movie Business: An Encyclopedia
of Careers, Technologies, and Practices. New York: Harmony,
1991.
Ray, Satyajit. Our Films, Their Films. New York: Hyperion, 1994.
Ross, Lillian. Picture. New York: Rinchart, 1952.
Julie Salamon. The Devil’s Candy: The Bonfire of the Vanities Goes to
Hollywood. Boston: Houghton Mifflin, 1991.
Sarris, Andrew. Interviews with Film Directors. Indianapolis:
Bobbs-Merrill, 1967.
Silver, Alain, and Elizabeth Ward. The Film Director’s Team:
A Practical Guide for Production Mangers, Assistant Directors,
and All Filmmakers. 2nd ed. Los Angeles: Silman-James, 1992.
Taub, Eric. Gaffers, Grips, and Best Boys. 2nd ed. New York:
St. Martin’s, 1994.
Tirard, Laurent. Moviemakers’ Master Class: Private Lessons from
the World’s Foremost Directors. New York: Faber and Faber,
2002.
Vidor, King. A Tree Is a Tree: An Autobiography. New York:
Harcourt, Brace, 1953.
von Sternberg, Josef. Fun in a Chinese Laundry: An Autobiography.
New York: Macmillan, 1965.

Film and Digital Technologies
Allen, Michael. “From Bwana Devil to Batman Forever:
Technology in Contemporary Hollywood Cinema.” In
Contemporary Hollywood Cinema.109–129. Ed. Steve Neale
and Murray Smith. New York: Routledge, 1998.
Allen, Robert C., and Douglas Gomery. Film History:
Theory and Practice. New York: Knopf, 1985.
Ascher, Steven, and Edward Pincus. The Filmmaker’s Handbook:
A Comprehensive Guide for the Digital Age.2008 (3rd) ed.
New York: Plume, 2007.
Billups, Scott. Digital Moviemaking: The Filmmaker’s Guide to the
21st Century. 2nd ed. Studio City, Calif.: Wiese, 2000.
Bordwell, David, Janet Staiger, and Kristin Thompson. The
Classical Hollywood Cinema: Film Style and Mode of Production
to 1960. New York: Columbia University Press, 1985.
Campbell, Drew. Technical Film and TV for Nontechnical People.
New York: Allworth, 2002.
Clark, Barbara, and Susan J. Spohr. Guide to Postproduction for TV
and Film: Managing the Process. 2nd ed. Boston: Focal Press,
2002.
Dancyger, Ken. The World of Film and Video Pro duction: Aesthetics
and Practices. Fort Worth: Harcourt Brace College, 1999.
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