An Introduction to Film

PERMISSIONS ACKNOWLEDGMENTS 573

Chapter One
Still from David Yale’s Harry Potter and the Deathly Hallows: Part
2. Courtesy of Warner Bros. Pictures/Photofest.

Chapter Two
Still from Terrence Malick’s Tree of Life. Courtesy of Cottonwood
Pictures / The Kobal Collection/Art Resource, NY.
Praxiteles’s Hermes with infant Dionysos on his arm. The
Archeological Museum, Olympia, Greece. Photo © Erich
Lessing/Art Resource, NY.
Alberto Giacometti’s Walking Man. Photo © Annebicque
Bernard/Corbis Sygma
Keith Haring’s Self Portrait 1989. In the outdoor exhibition
L’Homme qui Marche at the Gardens of the Palais Royal, Paris,
March 23-June 18, 2000. Photo © Annebicque Bernard/Corbis
Sygma
The Hon. Frances Duncombe by Thomas Gainsborough. ©
Geoffrey Clements/Corbis.
Marcel Duchamp’s Nude Descending a Staircase, No. 2 Courtesy of
the Philadelphia Museum of Art; The Louise and Walter
Arensberg Collection.

Chapter Three
Still from Ethan and Joel Coen’s True Grit. Courtesy of The Kobal
Collection/Skydance Productions/Art Resource, NY.
Still from Robert Flaherty’s Nanook of the North. Courtesy of The
Museum of Modern Art/Film Stills Archive, New York.
Still from Leni Reifenstahl’s Triumph of the Will. Courtesy of the
Museum of Modern Art/Film Stills Archive, New York.

Still from Fernand Léger’s Ballet Mecanique. Courtesy of the

Museum of Modern Art/Film Stills Archive, New York.

Chapter Four

Still from Roman Polanski’s The Ghost Writer. Courtesy of The

Kobal Collection/Rp Films/Art Resource, NY.

Chapter Five

Still from Tim Burton’s Sweeney Todd: The Demon Barber of

Fleet Street. Courtesy of The Kobal Collection/Dreamworks/

Warner Bros/GALLO, LEAH/Art Resource, NY.

Still from Guillermo del Toro’s Hellboy. Courtesy of The New York

Times.

Still from Guillermo del Toro’s Hellboy. Courtesy of the Everett

Collection.

Still from Robert Wiene’s The Cabinet of Dr. Caligari. Courtesy of

the Museum of Modern Art/Film Stills Archive, New York.

Still from Yasujiro Ozu’s Late Spring. Courtesy of the Museum of

Modern Art/Film Stills Archive, New York.

Chapter Six

Still from Tate Taylor’s The Help. Courtesy of Dreamworks

Pictures/The Kobal Collection/Art Resource, NY.

Tracking shot for Victor Fleming’s Gone With the Wind. Courtesy

of Photofest.

Steadicam used on the set of James Cameron’s Titanic. Courtesy

of Photofest.

Still from Fritz Lang’s Metropolis. Courtesy of the Museum of

Modern Art/Film Stills Archive, New York.

Permissions Acknowledgments