An Introduction to Film

(Marvins-Underground-K-12) #1

Aguirre: The Wrath of God(Herzog),
418, 464
Aguirresarobe, Javier, 265
Aibel, Jonathan, 129
Aiello, Danny, 261, 261
Ajantrik(Ghatak), 472
Akerman, Chantal, 137, 319
Akinnuoye-Agbaje, Adewale, 517
Akira(Otomo), 98
Alcott, John, 236, 236,261, 273
Aldrich, Robert, 301
Kiss Me Deadly, 96
What Ever Happened to Baby
Jane?, 307
Aleksandrov, Grigori, 351, 352
Alexander(Stone), 269
Alexander Nevsky(Eisenstein and
Vasilyev), 172, 195, 405,
449, 449
Alexie, Sherman, The Business of
Fancydancing, 314
Alfie(Gilbert), 123, 319
Alfie(Shyer), 319
Alfredson, Tomas, Let the Right One
In, 59, 102
Alice in Chains, 408
Alice in Wonderland(Burton), 190,
211, 292, 516, 517
Alice’s Adventures in Wonderland
(Carroll), 190
Alien(R. Scott), 98, 416
alienation effect, 318
Alive(Marshall), 133
All About Eve(Mankiewicz), 302, 307
Alland, William, 146, 241, 241
Allen, Dede, 368
Allen, Joan, 395
Allen, Robert C., 299, 432
Allen, Woody, 109, 137, 155, 210, 239,
293, 311, 473
Annie Hall, 87
Shadows and Fog, 197
Vicky Cristina Barcelona, 311
All or Nothing(Leigh), 321
Allures(Belson), 81
Almendros, Néstor, 258, 259, 475
Almirante-Manzini, Italia, 185
Almodóvar, Pedro, 265–66, 461
Broken Embraces, 96
Vo l v e r, 155
Alonso, Lisandro, Los Muertos,
325 n
Alonzo, John, 475
Alonzo, John A., 231
Alphaville(Godard), 97


Altman, Robert, 208, 293, 294, 304,
473, 492
Gosford Park, 321
Kansas City, 304
McCabe & Mrs. Miller, 105
Nashville, 321
The Player,304–5, 315, 416
Short Cuts, 305, 321
Alton, John, 227, 242
Alvarado, Trini, 331
Alvemark, Jan, 421
Amalric, Mathieu, 274
Amazing Grace(Apted), 156
ambient sound, 401
AMC Theaters, 490–91
Amenábar, Alejandro, The Others,
102
American Beauty(Mendes), 41, 211,
215–20,216–18, 220, 419
American Cinema Editors, 504
American Federation of Television
and Radio Artists
(AFTRA), 311
American Film Institute, 307
American Friend, The(Wenders),
464, 465
American Gangster(R. Scott), 88
American in Paris, An(Minelli), 108,
181
Americanizing the Movies and “Movie-
Mad” Audiences, 1910–1914
(Abel), 435
American Movie(Smith), 74
American Society of
Cinematographers, 504
Ames, E. Preston, 181, 182
amplitude, 394
analog, 486
analysis, 7
alternative approaches to,
20–22, 21
cultural, 22–31
formal, 14–20, 22–31
Anchal, Rajiv, Guru, 472
Ancillai, Fausto, 415, 415
Andalusian Dog, An(Buñuel and
Dali), 78,79, 447
Anderson, Ken, 143
Anderson, Lindsay:
Every Day Except Christmas, 462
if...., 462
The Whales of August, 307
Anderson, Paul Thomas, 406, 514
There Will Be Blood,200, 404
Anderson, Philip W., 372

Anderson, Wes, 349, 404
The Darjeeling Limited, 181
Fantastic Mr. Fox, 112
The Royal Tenenbaums,125,
126, 461
Andersson, Harriet, 370
Andersson, Roy, 202
You, the Living, 421
Andrei Rublev(Tarkovsky), 172
Andrews, Dana, 203, 407
Andrews, Michael, 419
Anémic cinéma(Duchamp), 79
Anger, Kenneth, Scorpio Rising, 81
animal actors, 316
animated films, 111–15,114,441, 443
digital, 111, 112–13, 114
hand-drawn, 111, 114
motion capture, 113–14
stop-motion, 111–12
Ankur(Benegal), 472
Annakin, Ken, 156
Ann Arbor Film Festival, 82
Annie Hall(Allen), 87
antagonist, 92, 94, 97, 100,103, 103,
133
Antareen(Sen), 472
antihero, 92,94, 129
antirealism, 56–57, 205
realism and, 56,56–60,58,
205, 358
Antonioni, Michelangelo, 200, 201,
208, 457, 461, 474, 477
The Red Desert, 409
Aparajito(S. Ray), 471
Apar Sansar(S. Ray), 471
Apartment, The(Wilder), 130–31
Apatow, Judd:
The 40 Year Old Virgin, 109
Knocked Up, 21,22, 109, 319
aperture, 244, 487
Apocalypse Now(F. F. Coppola), 202,
343, 390, 394,395, 408, 419,
420, 492
Apocalypse Now Redux(F. F.
Coppola), 202, 343
Appaloosa(Harris), 105
apparent motion, 49
Applause(Mamoulian), 107, 252, 254,
298, 390
Apple, 74–75
À propos de Nice(Vigo), 448
Apted, Michael, 293
Amazing Grace, 156
“Apu” trilogy (S. Ray), 200, 401,
471–72, 471

578 INDEX

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