minor, 160
motivation of, 130
narrative and, 127–31,128, 160
sidekick, 92
sound and, 419,420, 421,426–28
in Stagecoach(Ford), 158,160,
162–63
types of, 88, 127–31
Charisma(Kurosawa), 250
Charles, Larry, Borat: Cultural
Learnings of America for
Make Benefit Glorious
Nation of Kazakhstan, 82
Charlie and the Chocolate Factory
(Burton), 155, 190, 211
Charlie’s Angels(McG), 315
Charlone, César, 187
Charulata(S. Ray), 201, 472
Chase, Borden, 155
Chase Manhattan Bank, 498
Chasney, Jasmine, 345
Chatterjee, Soumitra, 322
Chatwin, Justin, 411
Chaykin, Maury, 418
Chekhov, Anton, 40
Chen, Joan, 313
Cheng Pei-pei, 470
Chen Kaige, 201
Farewell My Concubine,468, 468
Chereau, Patrice, Gabrielle, 410
Cheung, Alex, The First Step: Facing
Death, 469
Chevalier, Maurice, 106,260, 261, 395
Chew, Richard, 372
Cheyenne Autumn(Ford), 314
Chiari, Mario, 210
chiaroscuro, 47, 102, 186
Chicago(Marshall), 108
Chicago 10(Morgen), 111
Chieko Higashiyama, 468
Children Digging for Clams(Lumière
and Lumière), 439
Children of Men(Cuarón), 99
China, 467–70
Hong Kong, 468–69
People’s Republic of, 467–70
Taiwan, 469–70
Chinatown(Polanski), 96, 199, 204,
205,231, 304, 317, 474, 474
Chinese cinema, 201
Chishu Ryu, 468
Chocolat(Hallström), 292
Choi, Cliford, 469
Chopper(Dominik), 156
Chow, Yun-Fat, 54, 314, 469
Christ, Jesus, Harry Potter and,
25–26, 26
Christianity, Harry Pottermovies
and, 26
chronophotographic gun, 436
Churchill, Berton, 157, 158, 207
Churchill, Winston, 25
Cianfrance, Derek, Blue Valentine,
333–36
Cinderella(Jackson), 143
Cinderfella(Tashlin), 143
cinema:
compared to live theater, 5
defined, 3
of ideas, 84
independent filmmakers and,
472–73
Indian, 470–72
international, 461–72
Parallel Cinema and, 472
of reinvention, 460
cinematic, conventions, 205, 208,
238, 240–41, 257, 355–64
cinematic language, 3, 7–11, 36,
60–61, 61
cinematic time, 151, 275
Cinématographe, 439
cinematographer, 226–28
cinematography, 225–86
blimp in, 255
camera movement in, 265–74,
267, 268, 270, 273
camera proximity and, 248–52
color in, 242–44
computer-generated imagery,
280–83
cranes shots in, 269–70
deep-focus, 325
defined, 226
depth and, 252–59
director of photography and,
226–28
dolly shot in, 267, 267,267–68
film stock used in, 229–36, 233
framing in, 248–75,263, 264,266,
270, 273, 277
handheld cameras in, 266, 272,
273
lenses in, 244–47,245, 247,
254–55,268–69
lighting in, 236–44,238, 239
properties of the shot in, 228–48
scale in, 264,264–65
shot speed and length in, 275–79
Technicolor in, 234–35, 255tracking shot in, 268
types of shots in, 270
zoom in, 268–69, 271
cinéma vérité, 266, 458, 475
Citizen Kane(Welles), 46, 54, 146, 147,
149, 151, 195, 199,228, 238,
239,241, 241,254–55, 267,
267,314, 323–26,324,345,
346, 418, 423–28,424, 425,
426, 427, 431,441, 454, 454,
492, 503
cinematography in, 228
lighting in, 185
City of God(Meirelles and Lund), 53,
54,93, 187, 188,358, 376–84,
381, 382, 383
City of Sadness, A(Hou), 201, 470
City on Fire(Lam), 469
City Streets(Mamoulian), 298n
city symphonies, 447
Clair, René, 174, 398
Entr’acte,79, 446
An Italian Straw Hat, 448
Le Million, 108
Clark, Alfred, 279
Clark, Daniel, 10
Clarke, Arthur C., 155
Clarke, Shirley, Skyscraper, 81
Classical Hollywood Cinema, The:
Film Study and Mode of
Production to 1960
(Bordwell, Staiger, and
Thompson), 434
classical music in film, 397, 404, 407
Claymation, 113
Clayton, Curtiss, 347, 373, 375
Clayton, Jack:
The Innocents, 101
Room at the Top, 462
Cleo from 5 to 7(Varda), 459, 460
Cleopatra(Edwards), 191
Cleopatra(Mankiewicz), 191, 302
Clift, Montgomery, 304
climax, 135–36, 136
Cline, Edward, 316
Clive, Colin, 263
Clockwork Orange, A(Kubrick), 322,
407
Clooney, George, 288, 314, 348, 349,
367
Good Night, and Good Luck,231,
305
Leatherheads, 452
Cloquet, Ghislain, 210
closed frames, 205–8INDEX 583