Close Encounters of the Third Kind
(Spielberg), 97, 281
close-up, 5, 51, 252, 252,278,326,
326–27, 327
Cloutier, Suzanne, 404, 405
Cloverfield(Reeves), 57,272, 457
Coal Miner’s Daughter(Apted), 293
Coates, Anne V., 348, 364, 365, 367
Cocteau, Jean, 458, 459
The Blood of a Poet, 448
Cody, Diablo, 11, 20
Coen, Ethan, 304
Coen, Ethan and Joel, 137, 288, 473
The Big Lebowski,132, 132,133, 308
Intolerable Cruelty, 452
No Country for Old Men, 410
Raising Arizona, 91
True Grit,40, 65,109, 126,130, 132,
133, 292, 308, 516
Coen, Joel, 304, 305, 367, 391, 400,
421, 422
Fargo, 95
The Man Who Wasn’t There,96, 231
Miller’s Crossing, 93
Cohen, Danny, 251
Cohl, Émile, 445
Cold Mountain(Minghella), 191, 200,
307, 390
Collateral(Mann), 291, 490
Collins, Ray, 315
Colonial Expressionism, 214
color, 211, 213,242–44
additive systems, 234
vs. black and white, 230–31, 230,
232
film production in, 230,234–36,
235, 236
film stock and, 235, 236
subtractive systems, 234–35
tinting, 234
color film, 236,434, 441
colorization, 230–31
Color Me Kubrick(Cook), 191
Colossal Youth(Costa), 325n
Colpi, Henri, 345
Columbia Pictures, 184, 496 n,498,
512 n
Columbus, Chris:
Harry Potter and the Chamber of
Secrets, 25
Harry Potter and the Sorcerer’s
Stone, 25
Rent, 108
Comb, The(Quay and Quay), 112
Comédie Française, 295
comedy genre, 93, 108, 442–43
screwball, 452
subgenres of, 109
Comingore, Dorothy, 238, 239,267,
454
composition, 172, 202–10,203,
323–26, 439
deep-space, 252
defined, 202
effect on acting, 324
framing and, 250, 255
rule of thirds in, 257–59
computer-generated imagery (CGI),
113, 114–15, 115,184, 280–83,
310
synthespians in, 309, 310
“uncanny valley” and, 114, 115
Conan Doyle, Arthur, 183
Condon, Bill, 505
Dreamgirls, 107, 403
The Twilight Saga: Breaking
Dawn, Part 1, 515
conflict, in dramatic structure, 136
Conner, Bruce, Marilyn Times Five, 81
Connery, Sean, 309, 311
Conquest(Brown), 497
Constant Nymph, The(Dean), 499
construct, 143
Contagion(Soderbergh), 517
content:
defined, 36
form and, 36–39,37, 39
content curve, 355
continuity, 8, 9, 194
sound, 420–21
visual, 289, 355–75, 357
conventions:
cinematic, 205, 238, 240–41, 257,
355–64
continuity, 355–64
Conversation, The(F. F. Coppola), 390
Conversations with Other Women
(Canosa), 375
Convertino, Michael, 404
Conway, Jack, 497
Cook, Brian W., Color Me Kubrick, 191
Cook, David A., 433, 439
Cooley, Stanley, 400
Coolidge, Martha, 313
Cooper, Chris, 41, 216, 218,290, 305
Cooper, Gary, 233, 311
Cooper, James Fenimore, 102
Cooper, Merian C., 279
King Kong, 112
Cooper, Scott, Crazy Heart, 308Copland, Aaron, 404
Copley, Sharlto, 130
copper plates, 435
Coppola, Carmine, 408
Coppola, Francis Ford, 473, 475,
475, 517
Apocalypse Now,202, 343, 390,
394,395, 408, 419, 420, 492
Apocalypse Now Redux,202, 343
The Conversation, 390
The Godfather,53, 242, 329
The Godfathermovies, 53, 86, 89
One From the Heart,176, 202
Peggy Sue Got Married, 91
Rumble Fish, 277
Tucker: The Man and His Dream,
292
Twixt, 516
Coppola, Sofia, Lost in Translation,
90
Corn is Green, The(Rapper), 307
Corpse Bride(Burton), 404
Corrigan, Lloyd, 235
Cortez, Stanley, 186, 267
Cosby, Bill, 313
Coscarelli, Don, Phantasm, 102
Costa, Pedro, Colossal Youth, 325 n
Costner, Kevin, Dances with Wolves,
105, 110, 314
costume, hairstyle and makeup,
188–94,189, 190, 192,
193, 218
wigs and, 193–94, 193
Cotten, Joseph, 199,316, 423, 424, 426
Coulouris, George, 323
Counterfeiters, The(Ruzowitzky), 272
Country Girl, The(Seaton), 313
Court Jester, The(Panama and
Frank), 193, 193
Courtley, Steve, 50
coverage, 359
Cowan, Jerome, 315
Cox, Brian, 50
Cox, John, 398
Coy, Walter, 359, 362
Crafton, Donald, 298
Craig, Stuart, 179
crane shot, 269–70, 270
Craven, Wes:
A Nightmare on Elm Street, 100
Scream, 102
Crawford, Joan, 289, 300–301, 314
Crazy Heart(Cooper), 308
Creadon, Patrick, Wordplay, 72
Crews, Laura Hope, 315584 INDEX