Entr’acte(Clair), 79, 446
environmental sounds, 401–3
Ephron, Nora, 400
Bewitched, 307
Epstein, Jean, The Fall of the House of
Usher,446, 447
Epstein, Julius J., 147
Epstein, Philip G., 147
Epstein, Robert, Bright Star, 156
Erin Brockovich(Soderbergh),
348, 348
Erman, John, 331
establishing shots, 207,251, 359, 362
see alsomaster shots
Estes, Jacob Aaron, 326
Eternal Sunshine of the Spotless Mind
(Gondry), 146, 345, 358, 461
E.T. the Extra-Terrestrial(Spielberg),
309
Even Dwarfs Started Small(Herzog),
464
events, 148–49,149, 162–63
in Stagecoach(Ford), 162–64, 162–63
Ever After(Tennant), 143
Every Day Except Christmas
(Anderson), 462
Evil Dead, The(Raimi), 102
Evil Dead II, The(Raimi), 102
“Evolution of the Language of
Cinema, The” (Bazin), 459
Execution of Mary Stuart, The(Clark),
279
executive producers, 502
exhibition, film, 498–99
Exit Through the Gift Shop(Banksy),
76
Exorcist, The(Friedkin), 101
expectations:
and character, 14
form and, 39–42, 41
viewer, 13–20
experimental films, 66, 68, 75–82,77,
153
explicitly presented events, 140, 141
exposure, 488–89
exposure index, 488
expressionistic films, 195–97, 195,
443–45
external sound, 398–99
Extraordinary Adventures of
Mr. West in the Land
of the Bolsheviks,
The(Kuleshov), 448
extras, 315
Extras, The(Ho), 469
extreme close-up (ECU), 252, 252
extreme long shot, 251, 252
eye-level shot, 259–60, 260
eyeline match cuts, 365, 367, 370
Eyes Wide Shut(Kubrick), 178,291,
307, 322, 511
Eyre, Chris, Smoke Signals, 314F
Facebook, 129, 134 , 142
Faces(Cassavetes), 321
Factor, Max, 192
factual films, 72
fade in/fade out, 7, 368–70,372, 384
Fail-Safe(Lumet), 398
Fairall, Harry K., The Power of Love,
515
Fairbanks, Douglas, 209,314, 498
Fairfield, Paula, 423
Faith No More, 408
Falconetti, Maria, 278, 326
Fall of the House of Usher, The
(Epstein), 446, 447
familiar image, 154
Fancher, Hampton, 156
Fangmeier, Stefen, 282
Fanning, Dakota, 411, 411
Fantastic Mr. Fox(Anderson), 112
Farenheit 451(Truffaut), 98
Farewell My Concubine(Chen),
468, 468
Far From Heaven(Haynes), 173, 174
Fargo(J. Coen), 95, 288
Farmer, David, 402
Farmer, Gary, 314
Farrell, Colin, 269
Farrelly, Bobby and Peter, 293, 397
Stuck on You, 109
Farrow, John, Hondo, 515
Fassbinder, Rainer Werner:
Berlin Alexanderplatz, 464
Fear of Fear, 464
The Marriage of Maria Braun, 464
Fast, Cheap & Out of Control
(Morris), 75
Fast Five(Lin), 85
fast motion, 277, 448
Fast Runner, The(Kunuk), 314
Fat City(Huston), 308
Father and Son(Fong), 469
Favre, Brett, 293
Favreau, Jon:
Iron Man,111, 145, 292, 305, 308
Iron Man 2, 305Fax, Jesslyn, 368
Fear and Loathing in Las Vegas
(Gilliam), 202, 293
Fearless Vampire Killers, The
(Polanski), 212
Fear of Fear(Fassbinder), 464
featured players, 300
feature films, 441
Federico, Petrantonio, 400
feed spool, 487
Fegtè, Ernst, 182
Feig, Paul, Bridesmaids,109, 134
Felix the Cat(Messmer), 443
Fell, Sam, Flushed Away, 113
Fellini, Federico, 200, 210, 236, 328,
457, 461
81 ⁄ 2 , 81
Fellowship of the Ring, The(Jackson),
402
Ferguson, Perry, 185, 195
The Best Years of Our Lives, 203
Ferran, Pascale, Lady Chatterly,
145
Ferrell, Conchata, 348
Ferrell, Will, 109, 125
Ferrer, José, 313
Ferretti, Dante, 171,197, 200
Ferris Bueller’s Day Off(Hughes),
123
Fesler, Bailey, 400, 418, 423, 424
Fetchit, Stepin, 313
Feuillade, Louis, 445
fiction films, seenarrative films
fidelity, of sound, 395, 395
Field, Syd, 134
Field, Todd, 329
In the Bedroom, 293
Fielding, Raymond, 280
Fields, W. C., 108, 316
Fienberg, Gregg, 505
50 Cent, 293
Figgis, Mike, 153, 375
Leaving Las Vegas, 91
Fight Club(Fincher), 182, 329
Fighter, The(Russell), 145
figures, movement of, 202, 209–10
fill light, 240
Film Acting(Pudovkin), 303
film history, 431–82, 432
aesthetic approach, 433
approaches to, 433–35
artifacts of, 433
auteur theory, 433
defined, 432–33
economic approach, 433, 434588 INDEX