Foy, Brian, The Lights of New York,
451
Fraker, William, 266
frames, framing, 202–8, 248–75,
250,255, 323–26
camera angle and height,
259–64,260, 261, 262, 263,
277
effects on acting, 324
moving frame and, 202
open and closed, 207
point of view and, 202, 274–75
and reframing, 202
Frampton, Hollis, 476
Zorn’s Lemma, 81
Franco, James, 133
Frank, Melvin, 193
Frankenstein(Whale), 99, 193, 195,
197, 211–12, 211
Frankenstein; or, The Modern
Prometheus(Shelley), 96
Frankenweenie(Burton), 112
Franklin, Chester M., The Toll of the
Sea, 234
Franklin, Sidney, The Good Earth, 311
Franzoni, David, 148
Fraser, Brendan, 289
Freaks(Browning), 101
Frears, Stephen, 172, 260
Fred Ott’s Sneeze(Dickson), 438
Freeborn, Stuart, 193
Free Cinema, 458, 462, 462
Freeman, Morgan, 104,290, 304, 313,
317, 411
freeze-frames, 54–56, 373–74,374,
384, 448
French Cancan(Renoir), 108
French “New Wave,” seeNew Wave
filmmaking
frequency, of sound, 394
Frères, Pathé, 234
Fresh(Yakin), 319
Freud, Sigmund, 445, 449
Freund, Karl, 265
The Mummy, 99
Fricke, Ron, 277
Friday the 13thmovies, 100
Friedberg, Mark, 173, 181
Friedhoff, Günther, 421
Friedkin, William, The Exorcist, 101
Friedman, Jeffrey, Bright Star, 156
Friedrich, Su, Sink or Swim, 77
Fuji, Tatsuya, 465
Fuji film, 235
Fujimoto, Tak, 258
Fukasaku, Kinji, Battles without
Honor or Humanity, 93
Fukunaga, Cary, Jane Eyre, 61
Fuller, Samuel, 93
Forty Guns, 105
Pickup on South Street,96, 465
Funny Games(Haneke), 123, 126,
517
Fur: An Imaginary Portrait of
Diane Arbus(Shainberg),
305, 306, 307
fusil photographique, 437
FX, seespecial effectsG
Gable, Clark, 304, 311, 496
Gabrielle(Chereau), 410
gaffer, 228, 391
Gaghan, Stephen, Syriana, 70
Gainsborough, Thomas, 57, 58, 236
Gambon, Michael, 212, 213
Gance, Abel, 151, 375
Napoléon,248, 448
The Wheel, 447, 448
Gance, Marguerite, 447
Gandhi(Attenborough), 313, 314
Gangs of New York(Scorsese), 176
gangster genre, 88, 89,90–93,
92, 93
Garbo, Greta, 300, 318, 322,
496–97
Garbuglia, Mario, 174
Garcés, Iñìgo, 247
García Bernal, Gael, 373, 374
García Marquez, Gabriel, 145
Garfield, Andrew, 134, 142
Garmes, Lee, 326, 327
Garner, Jennifer, 11
Garnett, Tay, The Postman Always
Rings Twice,96, 456
Gary, Romain, 156
Gassmann, Remi, 417
Gattaca(Niccol), 99
gauges, film, 229
Gaumont Film Company, 443
Gaynor, Janet, 297
Gazzara, Ben, 244
Gearty, Eugene, 395, 421, 422
Gehr, Ernie, The Astronomer’s
Dream, 81
gelatin process, 435–36
General, The(Boorman), 368
General, The(Keaton), 443
generic transformation, 109–10genre, genre studies, 66, 83–90,85,
108–11, 290, 440, 440
defined, 84
see also specific genres
George, Gladys, 315
German cinema, 195–97, 265
German Expressionism, 443–45
German Sisters, The/Marianne and
Juliane(von Trotta), 464
Germi, Pietro, 457
Gerrard, Lisa, 404
Gertie the Dinosaur(McCay), 111
Get Rich or Die Tryin’(Sheridan), 293
Ghare-Baire(S. Ray), 472
Ghatak, Ritwik, 472
Ajantrik, 472
Jukti Takko Aar Gappo, 472
Ghosh, Bhupen, 401
Ghost and Mrs. Muir, The
(Mankiewicz), 419
Ghost in the Shell(Oshii), 98
Ghost Writer, The(Polanski), 121
Giacometti, Alberto, 37–39, 38
Giamatti, Paul, 290
Giant(Stevens), 302, 304
Gibbons, Cedric, 180n,181, 182, 199
Gibson, Charles, 282
Gibson, Mel, 209, 517
Gielgud, John, 400
G.I. Joe: The Rise of Cobra
(Sommers), 516
G.I. Joe 2: Retaliation, 517
Gilbert, Lewis, 319
Alfie, 123
Gillett, Burt, 235
Gilliam, Terry, 202, 293
Brazil, 98
Twelve Monkeys,98–99
Gilroy, Tony, 514
Giovinazzo, Buddy, No Way Home,
319
Girl with the Dragon Tattoo, The
(Fincher), 182, 227
Girotti, Massimo, 456
Gish, Dorothy, 295
Gish, Lillian, 42, 43,187, 295–97, 296,
321, 370
Gladiator(Scott), 60, 148–49, 149, 267,
282, 404
Glass, Philip, 404, 407
glass-plate negatives, 435
Glazer, Jonathan, 278, 278, 326
Glazer, Mitch, 146
Gleason, James, 420
Gleeson, Brendan, 368590 INDEX