An Introduction to the Philosophy of Art

(Marvins-Underground-K-12) #1

“Lyric Commodity Critique, Benjamin Adorno Marx, Baudelaire Baudelaire
Baudelaire,”PMLA123, 4 (January 2008), pp. 207–15.
Kelly, Michael (ed.),Encyclopedia of Aesthetics, 4 vols. (Oxford: Oxford University
Press, 1998).
Kemal, Salim,Kant’s Aesthetic Theory: An Introduction(New York: St. Martin’s Press,
1992).
Kennick, W. E.,“Does Traditional Aesthetics Rest on a Mistake?,”Mind67, 267
( July 1958); reprinted inAesthetics Today, ed. Philipson and Gudel, pp. 459–76.
(ed.),Art and Philosophy, 2nd edn (New York: St. Martin’s Press, 1979).
Kerman, Joseph,Contemplating Music(Cambridge, MA: Harvard University Press,
1985).
Kieran, Matthew,“Art, Imagination, and the Cultivation of Morals,”Journal of
Aesthetics and Art Criticism54, 4 (fall 1996), pp. 337–51.
(ed),Contemporary Debates in Aesthetics and the Philosophy of Art(Oxford: Blackwell,
2006).
Kieran, Matthew, and Lopes, Dominic McIver,Imagination, Philosophy, and the Arts
(London: Routledge: 2003).
Kivy, Peter,The Chorded Shell: Reflections on Musical Expression(Princeton, NJ: Prince-
ton University Press, 1980).
“Critical Study: Deeper than Emotion,”British Journal of Aesthetics46, 3 ( July
2006), pp. 287–311.
“Recent Scholarship and the British Tradition: A Logic of Taste–The First
Fifty Years,”inAesthetics: A Critical Anthology, ed. Dickie and Sclafani,
pp. 626–42.
Knight, Deborah,“In Fictional Shoes: Mental Simulation in Fiction,”inPhilosophy
of Film and Motion Pictures, ed. Noël Carroll and Jinhee Choi, pp. 271–80.
Korsmeyer, Carolyn,Savoring Disgust: The Foul and the Fair in Aesthetics(New York:
Oxford University Press, 2010).
Kramer, Lawrence,Classical Music and Postmodern Knowledge(Berkeley, CA: University of
California Press, 1995).
Kristeller, Paul Oskar,“The Modern System of the Arts,”Journal of the History of
Ideas12 (1951, 1952); reprinted inArt and Philosophy, ed. Kennick, pp. 7–33.
Lamarque, Peter,“How Can We Fear and Pity Fictions?,”British Journal of Aesthetics
21, 4 (April 1981), pp. 291–304.
Levinson, Jerrold,Contemplating Art(Oxford: Oxford University Press, 2006).
“Defining Art Historically,”British Journal of Aesthetics19 (1979); reprinted in
Philosophy of Art, ed. Neill and Ridley, pp. 223–39.
“Music and Negative Emotion,”inMusic and Meaning, ed. Robinson, pp. 215–41.
“Musical Expressiveness,”in Levinson,The Pleasures of Aesthetics,pp.90–125.


Bibliography 297
Free download pdf