See also RISMA, 1, supplement (#11), which is an inventory of Mozart works pub-
lished before 1800.
- Freitag, Wolfgang. Amadeus and Company: Mozart im Film. Vienna:
Umbruch, 1991. 286p. ISBN 3-9006-0212-3. ML410 .M95 F86.
An annotated list of about 70 films that include Mozart’s music, even Holly-
wood adaptations of it (e.g., Vertigo), issued since 1923. Index of names.
Conferences
- “Colloquium: Mozart und Italien. Rome, 1974.” Analecta musicologica 18
(1978): 1–318.
Consists of 19 papers, of which 8 are on the operas. Two are entered sepa-
rately: Pierluigi Petrobelli on Don Giovanniin Italy (#1311) and Wolfgang
Witzenmann on manuscripts of Die Zauberflöte (#1342). No bibliography or
index.
1263.Mozartanalyse im 19. und frühen 20. Jahrhundert. Bericht über die Tagung
Salzburg 1996. Ed. Gernot Gruber and Siegfried Mauser. Schriften zur
musikalischen Hermeneutik, 6. Laaber: Laaber, 1999. 194p. ISBN 3-89007-
339-5. ML410 .M95 M692.
An interesting collection of papers presented at the conference, offering ana-
lytic studies by various classic theorists: Tovey, Riemann, Schenker, Kurth,
Halm, and by genre. One essay is about operatic criticism: Silke Leopold,
“Idomeneound andere: Drei kurze Überlegungen zur Analyse Mozartscher
Opera im 19. Jahrhundert.” The authors summarized are Johann Friedrich
Reichardt, Alexander Oulibicheff, Otto Jahn, Hanslick, and Karl Grunsky.
Periodicals
1264.Mozart Jahrbuch,1–, 1950–. Salzburg: Internationale Stiftung Mozarteum,
1950–. Annual. ML5 .M77.
Supersedes the Neues Mozart Jahrbuch, 1–3, 1941–1943 (Regensburg, 1941–
1943) and the original Mozart Jahrbuch,1–3, 1923–1929 (Munich, 1923–
1929).
1265.Acta Mozartiana, 1–, 1954–. Augsburg: Deutsche Mozart Gesellschaft, 1954–.
Quarterly. ML410 .M95 A6.
1266.Mozart Studien,1–, 1992–. Tutzing: Schneider, 1992–. Irregular. ML410 .M95
M9035.
V.4 (1995) is devoted to textual studies and aria form of the operas. It includes
a table of the aria types in the Italian operas. V.6 (1997) includes articles on the
Mozart-Da Ponte collaborations (#1283), the ensembles in Don Giovanni,
French translations of the operas, comic elements in La finta semplice,and the
character of Count Almaviva.
1267.Mitteilungen der Internationalen Stiftung Mozarteum,1– 1952–. Salzburg:
Internationale Stiftung Mozarteum, 1952–. Quarterly. ISSN 0541-2331.242 Opera