Opera

(Marvins-Underground-K-12) #1
A narrative of music history, drawing on all archival documents and illustrat-
ing them. Index of names and libraries.

Lucca



  1. Biagi Ravenni, Gabriela. Diva panthera: Musica e musicisti al servizio dello
    stato lucchese.Lucca: Accademia Lucchese di Scienze, Lettere, ed Arti, 1993.
    215p. ML290.8 .L93 B5.
    Not seen. Described in Duckles4.319 as a music history with bibliography
    and indexes. The Teatro Pantera gave its name to the title of the book.

  2. Paoli Catelani, Bice. Il teatro comunale del “Giglio” di Lucca.Pescia: Artidoro
    Benedetti, 1941. 111p. ML1733.8 .L8 P4.
    A history of opera in the city and a description of the theater. Chronology for
    1819–1936 with names of principal singers; list of operas according to number
    of performances (Il barbiere di Sivigliawas first, Traviatasecond).

  3. Diquinzio, Mary Elizabeth. “Opera in the Duchy of Lucca, 1817–1847.”
    Ph.D. diss., Catholic U., 1997. 210p.


Mantua (Mantova)



  1. Amadei, Giuseppe. I centocinquant’anni del Sociale nella storia dei teatri di
    Mantova. Mantua: C.I.T.E.M., 1973. viii, 662p. ML1733.8 .M22 T42.
    The Sociale, which opened in 1822, was one of the two important houses of
    Mantua, the other being the Andreani (1862). Chronologies for both theaters
    and of others in the city are given by genre, with a historical narrative, com-
    poser list of works performed, and 79 illustrations. Bibliography of about 75
    items, name index.

  2. Fenlon, Iain. Music and Patronage in Sixteenth-Century Mantua. New York:
    Cambridge U.P., 1980. 2v. ISBN 0-521-22905-7. ML290.8 .M2 F4.
    A documented history of the period, centered on the Gonzaga family and its
    control of cultural life. The second volume is a collection of music by Mantuan
    composers, including Monteverdi. Bibliography and name index.

  3. Fenlon, Iain. “Music and Spectacle at the Gonzaga Court, c. 1580–1600.”
    PRMA103 (1976–1977): 90–105.
    A chronology of theatrical presentations, with comments that bring out the
    influences of Ferrara and Florence on the theater of Mantua.

  4. Parisi, Susan Helen. “Ducal Patronage of Music in Mantua 1587–1627: An
    Archival Study.” Ph.D. diss., U. of Illinois, 1989. xxii, 782p.


Messina



  1. Uccello, Leobaldo. Lo spettacolo nei secoli a Messina.Palermo: Publisicula,

  2. 564p.
    Not seen. Kaufmandescribes it as “stunning” if not always reliable; it gives
    chronologies for all houses.


Italy 467

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