Algarotti, Francesco. An Essay on the Opera Written in Italian by Count Algarotti, 2455;
Saggio sopra l’opera in musica, 2455
Algemene muziek encyclopedie, 2603
Alier Aixalà, Roger. El Gran Teatro Liceo, 2676; L’ópera a Barcelona: Origines, desen-
volupamente i consolidacio de l’ópera com a espectacle, 2675
Allanbrook, Wye Jamison. “Pro Marcellina: The Shape of Figaro, Act IV,” 1326; Rhyth-
mic Gesture in Mozart: “Le nozze di Figaro” and “Don Giovanni,” 1280
Allen, Sheila Marie. “German Baroque Opera (1678–1740) with a Practical Edition of
Selected Soprano Arias,” 2352
Allen, Stephen Arthur. “‘He Descended into Hell’: Peter Grimes, Ellen Orford and Salva-
tion Denied,” 642
Allitt, John. “Les martyrsRevived,” 810
Allorto, Riccardo. “Il prologo dell’Orfeo: Nota sulla formazione del recitativo montever-
diano,” 1247
Allroggen, Gerhard. “Piccinnis Origille,” 1416
Alm, Irene. Catalog of Venetian Librettos at the University of California, Los Angeles, 212
Almeida, Renato. História da música brasileira,2171*
Almquist, Sharon G. Opera Mediagraphy: Video Recordings and Motion Pictures, 439;
Opera Singers in Recital, Concert, and Feature Film: A Mediagraphy, 440
Alpert, Hollis. The Life and Times of “Porgy and Bess”: The Story of an American Classic,
859
Amadei, Giuseppe. I centocinquant’anni del Sociale nella storia dei teatri di Mantova,
2511
Analyzing Opera: Verdi and Wagner, 416
Anders, Michael F. “Musical and Dramatic Structure in the Finales of the Operas of Gia-
como Puccini,” 1457
Andre, Naomi Adele. “Azucena, Eboli, and Amneris: Verdi’s Writing for Women’s Lower
Voices,” 1847
Andreis, Josip, and Slavko Zlatic. Yugoslav Music, 2821
Angermüller, Rudolph, and Otto Schneider. Mozart-Bibliographie, 1260
Angermüller, Rudoph. Antonio Salieri: Sein Leben und seine weltliche Werke, 1604;
Mozart: Die Opern von der Uraufführung bis heute, 1277; Mozart’s Operas, 1277; “Il
periodo viennese di Donizetti,” 775; “Salieri—Opern in Esterháza,” 1606; “Wer war
der Librettist von La finta giardiniera?” 1316; “Die wiener Fassung von Pasquale
Anfossis Il curioso indiscreto,” 459
Anker, Oyvind. Christiania Theater’s repertoire 1827–99, 2610
Annals of the Metropolitan Opera: The Complete Chronicle of Performances and Artists;
Chronology 1883–1985, 2793
Annuario EDI / CIDIM dell’opera lirica in Italia, 2427
Annuario musicale italiano, 2427
Ansermet, Ernest. “Falla’s Atlántida,” 836
Anthology of Music, 109
Anthony, James R. French Baroque Music from Beaujoyeulx to Rameau,2231; “The
Musical Structure of Lully’s Operatic Airs,” 1139; La musique en France à l’époque
baroque, de Beaujoyeulx à Rameau, 2231; “The Opera-Ballet of André Campra: A
Study of the First Period of French Opera-Ballet,” 662; “Printed Editions of André Cam-
pra’s L’Europe galante,” 661
Antokoletz, Elliott. “Bartók’s Bluebeard: The Sources of Its Modernism,” 478; Béla
Bartók: A Guide to Research, 477; “Verdi’s Dramatic Use of Harmony and Tonality in
Macbeth,” 1896
Antonio, Andrew Dell’. “‘Il compositore deluso’: The Fragments of Lo sposo deluso,”
1268
Antônio, Irati. Bibliografia de música brasileira, 1977–1984, 2173
Antonio Vivaldi: Da Venezia all’Europa, 1955
Appleby, David P. Heitor Villa-Lobos: A Bio-Bibliography, 1945
Archibald, Bruce. “Tonality in Otello,” 1910
Index of Authors and Main Entries 559