Benoit, Marcelle. Dictionnaire de la musique en France aux XVIIe et XVIIIe siècles,2228;
Musiques de cour: Chapelle, chambre, écurie. Recueil de documents, 1661–1733,2229;
Versailles et les musiciens du roi, 1661–1773: Étude institutionelle et sociale, 2230
Berg, Alban. Sämtliche Werke, 527
The Berg Companion, 530
Berg, Karl Georg Maria. “Das Liebesduett aus Madama Butterfly: Überlegungen zur
Szenendramaturgie bei Giacomo Puccini,” 1479
Berger, Christian. “Ein tableaudes Principe de l’harmonie: Pygmalionvon Jean-Philippe
Rameau,” 1536
Bergeron, Katherine. “How to Avoid Believing (While Reading Iago’s ‘Credo’),” 1914
Berlioz, Hector. Gluck and His Operas, with an Account of Their Relation to Musical Art,
893; “Guillaume Tell,” 1587; The Memoirs of Hector Berlioz, 551; New Edition of the
Complete Works, 545; New Letters of Berlioz, 1830–1868, 552
Berlioz Society Bulletin, 550
Bernandt, Grigorii Borisovich. Slovar’ oper, 2656
Berry, Mark. “Nietzsche’s Critique of Wagner,” 2012
Berwald, Franz. Sämtliche Werke, 573
Betzwiser, Thomas. “Si tu veux faire un opéra comique,” 93
Biagi Ravenni, Gabriela. Diva panthera: Musica e musicisti al servizio dello stato lucchese,
2508
Bianchi, Michele. “Il ‘caso Trittico’: Vitalità della morte e declino della vita,” 1497
Bianconi, Lorenzo, and Giorgio Pestelli, eds. Opera Production and Its Resources, 2428;
Storia dell’opera italiana, 2428
Bianconi, Lorenzo. I libretti italiani di Georg Friedrich Händel e le loro fonti, 964; “Pro-
duction, Consumption and Political Function of Seventeenth-Century Opera,” 2449
Biddlecombe, George. English Opera from 1834 to 1864, with Particular Reference to the
Works of Michael Balfe, 473
Bignami, Luigi. Cronologia di tutti gli spettacoli rappresentati nel Gran Teatro Comunale
di Bologna, 2489
Biks, Rozaliia Aleksandrova. BUlgarski operen teatUr, 2181
Bing, Rudolf. 5000 Nights at the Opera, 295; A Knight at the Opera, 296
Bini, Annalisa. “Otto mesi in due ore, ossia Gli esiliati in Siberia: Vicende di un’opera
donizettiana,” 811
Binney, Marcus. Glyndebourne: Building a Vision, 2725
Biobase, 159
Bio-Bibliographies in Music [series], 9
Biography and Genealogy Master Index, 159
Biography Index, 159
Birkin, Kenneth. “Friedenstag” and “Daphne”: An Interpretative Study of the Literary
and Dramatic Sources of Two Operas by Richard Strauss, 1718
Bishop, Cardell. Boston National Opera Company and Boston Theatre Opera Company,
2767; The Los Angeles Grand Opera Association, 1924–1934: A Short Career in a Big
City, 2779; San Carlo Opera Company of America, 2764
Black, John. “Cammarano’s Libretti for Donizetti,” 782; “Cammarano’s Self-Borrowings:
The Libretto of Poliuto,” 813; “Elisabeth d’Angleterre, Il conte d’Essex, and Roberto
Devereux,” 815; Donizetti’s Operas in Naples, 1822–1848, 774; The Italian Romantic
Libretto: A Study of Salvadore Cammarano, 240
Blanc, Tharald. Christiania Theaters historie, 1827–77, 2609
Blanchard, Roger, and Roland de Candé. Dieux et divas de l’opéra, 178
Blay, Philippe. “Le fonds de l’Opéra-Comique: Préambule à un inventaire,” 93
Blaze, François-Henri Joseph Castil. L’Académie Imperiale de Musique: Histoire littéraire,
musicale, choréographique, pittoresque, morale, critique, facétieuse, politique, galante
de ce théâtre de 1645 à 1855, 2288
Bloom, Peter. Music in Paris in the Eighteen-thirties, 2269
Bloomfield, Arthur J. The San Francisco Opera, 1922–78, 2806
Index of Authors and Main Entries 563