Opera

(Marvins-Underground-K-12) #1

Corse, Sandra. Opera and the Uses of Language: Mozart, Verdi, and Britten, 385; “The
Voice of Authority in Wagner’s Ring,” 2051; Wagner and the New Consciousness: Lan-
guage and Love in the “Ring,” 2047
Corte, Andrea della. “Aspetti del ‘comico’ nella vocalità teatrale di Monteverdi,” 1210;
L’opera comica italiana nel ‘700, 2463; Paisiello,1372; “Saggio di bibliografia delle
critiche al Ballo in maschera,” 1869; “Saggio di bibliografia delle critiche al Rigoletto,”
1920; “Saggio di bibliografia delle critiche alla Forza del destino,” 1889
Cosma, Viorel. Hronicul muzicii romanesti, 2632; Opera romîneascX:Privire istoricX
asupra creatiei lirico-dramatice, 2632; România muzicalX, 2630
Cotarelo y Mori, Emilio. Historia de la zarzuela, o sea el drama lírico en España desde su
origen a fines del siglo XIX, 2669
Couch, John Philip. The Opera Lover’s Guide to Europe, 143
Couvreur, Manuel. “La folie à l’Opéra-Comique: Des grelots de Momus aux larmes de
Nina,” 2250; Jean-Baptiste Lully: Musique et dramaturgie en service du prince, 1131;
Le Théâtre de la Monnaie au XVIIIe siècle, 2167
Covell, Roger David. “Monteverdi’s L’incoronazione di Poppea: The Musical and Dra-
matic Structure,” 1237
Cowart, Georgia. Origins of Modern Musical Criticism: French and Italian Music,
1600–1750, 421
Cowden, Robert H. “Acting and Directing in the Lyric Theater: An Annotated Checklist,”
280; The Chautauqua Opera Association, 1929–1958: An Interpretative History, 2768;
Classical Singers of the Opera and Recital Stages: A Bibliography of Biographical Mate-
rials, 160; Concert and Opera Conductors: A Bibliography of Biographical Materials,
161; Opera Companies of the World: Selected Profiles, 138
Craft, Robert. Stravinsky: Glimpses of a Life, 1750
Craggs, Stewart R. Arthur Bliss: A Bio-Bibliography, 590; Richard Rodney Bennett: A
Bio-Bibliography, 525; William Walton: A Catalogue, 2079; William Walton: A Source
Book, 2079
Crain, Gordon F. “The Operas of Bernardo Pasquini,” 1380
Cramer, Thomas. “Lohengrin, Edition und Untersuchung,” 2023
Crawford, John C. “Die glückliche Hand: Schoenberg’s Gesamtkunstwerk,” 1632
Crest, Renzo. Linguaggio musicale di Luciano Chailly, 688
Crisp, Deborah. Bibliography of Australian Music: An Index to Monographs, Journal
Articles, and Theses, 2123
Croatia: Land, People, Culture, 2195*
Croccolo, Enrico. Donizetti a Lucca: Storia delle opere di Donizetti rappresentate a Lucca
dal 1827 al 1858, 776
Croce, Benedetto. I teatri di Napoli, dal rinascimento alla fine del secolo decimottavo,
2539; I teatri di Napoli, secolo XV-XVIII, 2539
Croissant, Charles. Opera Performances in Video Format: A Checklist of Commercially
Released Recordings, 444
Croll, G. “Agostino Steffani (1654–1728): Studien zur Biographie, Bibliographie der
Opern und Turnierspiele,” 1683
Cronache del Teatro di San Carlo, 1948–1968, 2544
Cronin, Charles P. D., and Betje Black Klier. “Théodore Pavie’s Les babouches du Brah-
maneand the Story of Delibes’s Lakmé,” 749
Cronin, Charles P. D. “The Comic Operas of Gaetano Donizetti and the End of the opera
buffaTradition,” 778
Cropsey, Eugene M. “Mr. Crosby’s Temple of Art: The Inaugural Season, Chicago, 1865,”
2772
Cross, Eric. The Late Operas of Antonio Vivaldi, 1727–1738, 1954; “The Relationship
between Text and Music in the Operas of Vivaldi,” 1951; “Vivaldi and the Pasticcio:
Text and Music in Tamerlano,” 1961
Cross Index Title Guide to Opera and Operetta, 50
“Crosscurrents and the Mainstream of Italian Serious Opera, 1730–1790,” 2462
Crowell’s Handbook of Gilbert & Sullivan, 1766
Crowell’s Handbook of World Opera, 45


Index of Authors and Main Entries 571

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