Day, Christine J. “The Theater of SS. Giovanni e Paolo and Monteverdi’s L’incoronazione
di Poppea,” 1242
Day, James. Vaughan Williams, 1792
Dean, Winton, and J. Merrill Knapp. Handel’s Operas, 1704–1726, 962
Dean, Winton. “Beethoven and Opera,” 495; “Donizetti’s Serious Operas,” 773; Essays
on Opera, 69; “French Opera,” 58; Georges Bizet, His Life and Work,” 578; “Handel’s
Serse,” 995; “German Opera,” 58; “Handel’s Sosarme: A Puzzle Opera,” 998; “Italian
Opera,” 58; “The Making of Alcina,” 979; “The Musical Sources for Handel’s Teseo
and Amadigi,” 982; The New Grove Handel,956; “The Performance of Recitative in
Late Baroque Opera,” 358; “Production Style in Handel’s Operas,” 974; “Scholarship
and the Handel Revival, 1935–85,” 943; “The True Carmen?” 583
De Angelis, Marcello. La musica del Granduca: Vita musicale e correnti critiche a Firenze,
1800–1855, 2498
Deathridge, John, Martin Geck, and Egon Voss. Wagner Werk Verzeichnis (WWV): Verze-
ichnis der musikalischen Werke Richard Wagners in ihre Quellen, 1964
Deathridge, John. “The Nomenclature of Wagner’s Sketches,” 2046; “Through the Look-
ing Glass: Some Remarks on the First Complete Draft of Lohengrin,” 2022; Wagner’s
“Rienzi”: A Reappraisal Based on a Study of Sketches and Drafts, 2033; “Wagner’s
Sketches for the Ring: Some Recent Studies,” 2046
Deavel, R. Gary. “A Study of Two Operas by Benjamin Britten: Peter Grimesand Turn of
the Screw,” 643
Debly, Patricia Anne. “Joseph Haydn and the dramma giocoso,” 1036
De Brito, Manuel Carlos. Opera in Portugal in the Eighteenth Century, 2628
Degani, Giannino, and Mara Grotti. Teatro Municipale di Reggio Emilia: Opere in
musica, 1857–1976, 2566
De Gorog, Lisa, and Ralph Paul de Gorog. From Sibelius to Sallinen: Finnish Nationalism
and the Music of Finland, 2222
Degrada, Francesco. “Aspetti Gluckiani nell’ultimo Hasse,” 1004; “Due volti di Ifigenia,”
1415; “Gian Francesco Busenello e il libretto della Incoronazione di Poppea,” 1236;
“Glucksche Aspekte in einem Spätwerk Hasses,” 1004; “Lettura di Macbethdi Verdi,”
1894; “L’opera napoletana,” 2528; “Origini e sviluppi dell’opera comica napoletana,”
2576; “Prolegomeni a una lettura della Sonnambula,” 520; “Vivaldi e Metastasio: Note
in margine a una lettura dell’Olimpiade,” 1952
Deierkauf-Holsboer, Sophie-Wilma. Le Théâtre du Marais, 2333
De Lerma, Dominique-René. A Bibliography of Black Music, 164
The Delius Companion, 750
Della Seta, Fabrizio. “Il tempo della festa: Su due scene della Traviatae su altri luoghi ver-
diani,” 1934; “Varianti (d’autore e non) ne La traviata,” 1935
Dell’Ira, Gino. I teatri di Pisa (1773–1986), 2561
Del Mar, Norman. Richard Strauss: A Critical Commentary on His Life and Works, 1698
Delmas, Marc. Gustave Charpentier et le lyrisme française, 689
Delogu, Maria. “Galuppi a Vienna: Artaterse,” 852
Dempster, Douglas. “How Does Debussy’s Sea Crash? How Can Jimi’s Rocket Red Glare?
Kivy’s Account of Representation in Music,” 400
Demuth, Norman. French Opera: Its Development to the Revolution, 2252
Denny, Thomas. “Schubert’s Operas: The Judgment of History?” 1645
Dent, Edward Joseph. Alessandro Scarlatti: His Life and Works, 1612; “Ensembles and
Finales in 18th-Century Italian Opera,” 2457; Foundations of English Opera: A Study
of Musical Drama in England during the Seventeenth Century,2705; Mozart’s Operas:
A Critical Study, 1274; “Music and Drama,” 58; “The Nomenclature of Opera,” 21
De’ Paoli, Domenico. Claudio Monteverdi: Lettere, dediche, e prefazioni [Rome, 1973],
1215; Monteverdi, 1218
Desarbres, Nérée. Deux siècles à l’Opéra (1669–1868): Chronique anecdotique, artistique,
excentrique, pittoresque et galante, 2290
Desboulmiers, Jean Auguste Julien. Histoire anecdotique et raisonée du Théâtre Italien,
depuis son rétablissement en France, jusqu’a l’année 1769, 2326; Histoire du Théâtre de
l’Opéra-Comique, 2314
Index of Authors and Main Entries 573