Opera

(Marvins-Underground-K-12) #1

Haydn, Joseph. Werke, 1008
Haydn Studies: Proceedings of the International Haydn Conference, Washington, D.C.,
1975, 1011
Haydn Yearbook = Haydn Jahrbuch, 1016
Haydn-Studien, 1015
Hayes, Deborah. Peggy Glanville-Hicks: A Bio-Bibliography, 870
Heartz, Daniel. “Citations, Reference, and Recall in Così fan tutte,” 1304; “La clemenza
diSarastro: Masonic Beneficence in the Last Operas,” 1296; “Constructing Le nozze di
Figaro,” 1323; “The Creation of the buffo finalein Italian Opera,” 2458; “Goldoni,
opera buffa, and Mozart’s Advent in Vienna,” 251; “The Great Quartet in Mozart’s
Idomeneo,” 1318; “Hasse, Galuppi, and Metastasio,” 1007; Haydn, Mozart, and the
Viennese School, 1740–1780,2134; “Idomeneus Rex,” 1319; “Mozart and His Italian
Contemporaries: La clemenza di Tito,” 1297; Mozart’s Operas, 1276; “Nicholas Jadot
and the Building of the Burgtheater,” 2154; “Orfeo ed Euridice: Some Criticisms, Revi-
sions, and Stage-Realizations During Gluck’s Lifetime,” 906; “The Overture to La
clemenza di Tito as Dramatic Argument,” 1298; “Vis comica:Goldoni, Galuppi, and
L’Arcadia in Brenta, 250; “When Mozart Revises: The Case of Guglielmo in Così fan
tutte,” 1268
Heath, Mary Joanne Renner. “A Comparative Analysis of Dukas’ Ariane et Barbe-bleu
and Bartók’s Duke Bluebeard’s Castle,” 479
Hebert, Rubye Nell. “A Study of the Composition and Performance of Scott Joplin’s Opera
Treemonisha,” 1084
Heintze, James R. American Music before 1865 in Print and on Records, 2734; Early
American Music: A Research and Information Guide, 2735
Heister, Hans-Werner. “Kinderoper als Volkstheater: Hans Werner Henzes Pollicino,” 95
Heller, Wendy. “The Queen as King: Refashioning Semiramidefor seicentoVenice,” 684;
“Tacitus Incognito: Opera as History in L’incoronazione di Poppea,” 1235
Henderson, Brian. “The Ringand the Wake,” 2052
Henderson, Donald G., and Alice H. Henderson. Carl Maria von Weber: A Guide to
Research, 2083
Henderson, William James. The Art of Singing, 427
Hennessee, Don A. Samuel Barber: A Bio-Bibliography, 474
Henry Purcell (1659–1695): Essays on His Music, 1515.
Henze-Döhring, Sabine. “Anfänge musikalisch-szenischen Gestaltens: Paisiellos Il re
Teodoro in Venezia”; “Das Finale des IV. Aktes von Mozarts Le nozze di Figaro,” 1307;
“Mozarts Idomeneo,” 1307; “Exposition musikalisch-dramatischer Zusammenhänge
durch Integration der ‘Nummern’: Paisiellos Il barbiere di Siviglia,” 1307; “Exposition
und Integration verschiedener caratteribeim frühen Piccinni,” 1307; “Musikalische
Exposition des Hauptkonflikts: Niccolò Jommellis Attilio Regolo,” 1307; “Musikalis-
ches ‘In-Szene-Setzen’ phantastischer Handlungsmomente beim frühen Paisiello,” 1307;
“Opera seria, opera buffa, und MozartsDon Giovanni,” 1307; “Transparenz des
dramatischen Entwicklungsprozesses: Niccolò Jommellis Armida abbandonata,” 1307;
“Vom Affekt zum ‘Gefühl’: Gian Francesco de Majos Ipermestraund Adriano in Siria,”
1307
Henzl, Christoph. Quellentexte zur Berliner Musikgeschichte im 18. Jahrhundert, 2358
Hepokoski, James A., and Mercedes Viale Ferrero. “Otello” di Giuseppe Verdi, 1913
Hepokoski, James A. “Boito and F.-V. Hugo’s ‘Magnificent Translation’: A Study in the
Genesis of the Otello Libretto,” 1906; “The Compositional History of Verdi’s Falstaff:
A Study of the Autograph Score and the Early Editions,” 1881; “Verdi’s Composition of
Otello: The Act II Quartet,” 416
Herbert, David. The Operas of Benjamin Britten: The Complete Librettos, 624
Herders Musiklexikon: Oper, Operette, Musical, 36
Heriot, Angus. The Castrati in Opera, 182
Hess, Julia van. “Luigi Dallapiccolas Bühnenwerk Ulisse,” 726
Hess, Willy. “Fünfzig Jahre im Banne von Leonore-Fidelio,” 496
A hetvenötéves Magyar Állami Operaház, 1884–1959, 2416


584 Opera


http://www.ebook3000.com

Free download pdf