Heuvel, Jacques van den. “Platée, opéra-bouffe de Rameau au milieu du XVIIIe siècle,”
1536
Heyman, Barbara B. Samuel Barber: The Composer and His Music, 475
Higgins, John. The Making of an Opera: Don Giovanni at Glyndebourne, 306
Highfill, Philip H., Jr. et al. A Biographical Dictionary of Actors, Actresses, Musicians,
Dancers, Managers, and Other Stage Personnel in London, 1660–1880, 2712
Highton, Audrey Charlotte. “Performing Interpretation: Luciano Berio’s Un re in ascolto,”
544
Hill, George Robert, and Norris L. Stephens. Collected Editions, Historical Series and Sets,
and Monuments of Music: A Bibliography, 114
Hill, John W. “Vivaldi’s Griselda,” 1960; “Vivaldi’s Orlando: Sources and Contributing
Factors,” 1960
Hill, Laura Callegari. La librettistica bolognese nei secoli XVII e XVIII: Catalogo ed
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Hiller, Carl H. Vom Quaternmarkt zum Offenbachplatz, 400 Jahre Musiktheater in Köln,
2374
Hillila, Ruth-Esther, and Barbara Blanchard Hong. Historical Dictionary of Music and
Musicians in Finland, 2221
Hindemith, Paul. Sämtliche Werke, 1052
Hindley, Clifford. “Eros in Life and Death: Billy Budd and Death in Venice,” 629
Hirschberg, Jehoash. “Formal and Dramatic Aspects of Sonata Form in Mozart’s Idome-
neo,” 1317
Historical Anthology of Music, 111
Historical Performance, 339
Hitchcock, H. Wiley. Marc-Antoine Charpentier, 691; Music in the United States: A His-
torical Introduction, 2742; Les oeuvres de Marc-Antoine Charpentier: Catalogue
raisonné,692; “Les oeuvres de Marc-Antoine Charpentier: Post-scriptum à un cata-
logue,” 693
Hixon, Donald, and Don A. Hennessee. Women in Music: An Encyclopedic Biobibliogra-
phy, 163
Hixon, Donald. Thea Musgrave: A Bio-Bibliography, 1343; Verdi in San Francisco
1851–1869: A Preliminary Bibliography, 2807
Hoboken, Anthony van. Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis,
1009
Hochgesang, Deborah. “Die Opern Hans Werner Henzes im Spiegel der deutschsprachi-
gen, zeitgenössischen Musikkritik bis 1966,” 1043
Hodges, Sheila.Lorenzo Da Ponte: The Life and Times of Mozart’s Librettist, 242
Hodgson, Peter J. Benjamin Britten: A Guide to Research, 614
Hodson, Phillip. Who’s Who in Wagner: An A-to-Z Look at His Life and Work, 1971
Hoffmann, Andreas. Tugendhafte Helden—Lasterhafte Tyrannen: Italienische Oper am
Ende des siebzehnten Jahrhunderts, 2433
Hoffmann, Ernst Theodor Amadeus. Ausgewählte musikalische Werke, 1057
Hofmann, Rostislav. Un siècle d’opéra russe (de Glinka à Stravinsky), 2653
Hogarth, George. Memoirs of the Opera in Italy, France, Germany and England, 428
Hogwood, Christopher. Handel, 961
Hollander, Hans. LeosJanácek: His Life and Work, 1074
Holloway, Robin. Debussy and Wagner, 740
Holm, Anna-Lena. Index of Titles and Text Incipits to Anthony van Hoboken: “Joseph
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Holman, J. K. Wagner’s “Ring”: A Listener’s Companion and Concordance, 2036
Holmberg, Arthur. The Theatre of Robert Wilson, 327
Holmes, William Carl. “The Earliest Revisions of La forza del destino,” 1886; “Giacinto
Andrea Cicognini’s and Antonio Cesti’s Orontea, 1649,” 682; Opera Observed: Views
of a Florentine Impresario in the Early Eighteenth Century,2501; “Orontea: A Study
of Change and Development in the Libretto and Music of Mid-Seventeenth-Century
Italian Opera,” 681; “Pamela Transformed,” 1414; “La Statira” by Pietro Ottoboni
Index of Authors and Main Entries 585