Jürgensen, Knud Arne. “The ‘Ballet of the Nuns’ from Robert le diable and Its Revival,”
1190
Justin, Richard. “Darwin, Marx, Wagner: Dialectical Materialism in the Ring,” 2034
Kahane, Martine. Les artistes et l’Opéra de Paris; dessins de costumes, 1920–1950, 2308
Kaiser, Hermann. 300 Jahre Darmstädter Theater in Berichte von Augenzeugen, 2377;
Barocktheater in Darmstadt: Geschichte des Theaters einer deutschen Residenz am 17.
und 18. Jahrhunderts,2376; Modernes Theater in Darmstadt, 1910–1933, 2378
Kaiser, Joachim. Mein Name ist Sarastro,1278; Who’s Who in Mozart’s Operas: From
Alfonso to Zerlina, 1278
Kämper, Dietrich. “Das deutsche Verdi-Schriftum: Hauptlinien der Interpretation,” 1801
Kamper, Otakar. Hudební Praha v XVIII veku, 2208
KaQski, Józef. “Die neue polnischer Oper,” 2620; “Opern polnischer Komponisten seit
1951,” 2620; Teatr Wielki w Warszawie, 2624
Kantner, Leopold M. “Le opere di Francesco Gasparini a Vienna,” 853
Kaplan, Richard Andrew. “The Musical Language of Elektra: A Study in Chromatic Har-
mony,” 1725
Kapp, Julius. 200 Jahre der Staatsoper im Bild, 2360; Geschichte der Staatsoper Berlin,
2360
Kapp, Volker. “Benserade, librettist de Lully et panégyriste du roi,” 1127
Karbaum, Michael. Studien zur Geschichte der Bayreuther Festspiele (1876–1976), 2370
Karlinsky, Simon. “Russian Comic Opera in the Age of Catherine the Great,” 2650
Katz, Ruth. Divining the Powers of Music: Aesthetic Theory and the Origins of Opera,
406
Kaufman, Thomas G. “A Bibliography of House Annals,” 126; “A Performance History of
Aureliano in Palmira,” 1581a; “L’esule di Roma: A Performance History,” 794; “Italian
Performances in Vienna, 1835–59,” 2139; “Jacques Fromental Halévy: More than a
One-Opera Composer,” 938a; “Lucrezia Borgia: Various Versions and Performance
History,” 799; “Mercadante and Verdi,” 1186; Verdi and His Major Contemporaries: A
Selected Chronology of Performances with Casts, 107
Kaut, Josef. Festspiele in Salzburg, 2161; Die Salzburger Festspiele, 1920–1981, 2162
Kearns, William K. Horatio Parker, 1863–1919, 1379
Keates, Jonathan. Purcell: A Biography, 1517
Keck, George Russell. Francis Poulenc: A Bio-Bibliography, 1424
Kelly, Michael. Reminiscences, 92
Kemp, Ian. Tippett: The Composer and His Music, 1783
Kennedy, Michael. Britten, 620; Richard Strauss: Man, Musician, Enigma, 1699
Keppler, Philip. “Agostino Steffani’s Hannover Operas and a Rediscovered Catalogue,”
1684
Kerman, Joseph, and Thomas S. Grey. “Verdi’s Groundswells: Surveying an Operatic Con-
vention,” 416
Kerman, Joseph. Opera as Drama, 386; “Viewpoint,” 1868*
Kertész, Iván. A Magyar Állami Operaház, 2414
Keyser, Dorothy. “Cross-Sexual Casting in Baroque Opera: Musical and Theatrical Con-
ventions,” 364
Kidson, Frank. “The Beggar’s Opera”: Its Predecessors and Successors, 1382
Kierkegaard, Søren. Either/Or, 1312
Kilroy, David Michael. “Kurt Weill on Broadway: The Postwar Years (1945–1950),”
2103
Kimbell, David R. B. “The AmadisOperas of Destouches and Handel,” 753; Italian
Opera, 2430; “Italy,” 58; “Poi...diventò l’Oberto,” 1903;Verdi in the Age of Italian
Romanticism,1824; “Verdi’s First rifacimento: I lombardiand Jérusalem,” 1890
Kinderman, William. “Dramatic Recapitulation in Wagner’s Götterdämmerung,” 2060;
“Das ‘Geheimnis der Form’ in Wagners Tristan und Isolde,” 2072; “Wagner’s Parsifal:
Musical Form and the Drama of Redemption,” 2030
King, Richard Glenn. “The Composition and Reception of Handel’s Alessandro(1726),”
980
Index of Authors and Main Entries 589