Kragh-Jacobsen, Svend. “Le théâtre musical depuis 1931,” 2216
Krakovitch, Odile. “L’Opéra-Comique et la censure,” 2321
Kralik, Heinrich. The Vienna Opera, 2147; Die Wiener Oper, 2148
Kramer, Lawrence. “Fin-de-siècleFantasies: Elektra, Degeneration , and Sexual Science,”
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Kranz, Dieter. Der Regisseur Harry Kupfer: “Ich muss Oper machen”: Kritiken, Beschrei-
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Krasner, Orly Leah. “Reginald De Koven (1859–1920) and American Comic Opera at the
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Krause, Ernst. Die grossen Opernbühnen Europas, 129; Oper A-Z: Ein Opernführer, 38;
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Krause-Graumnitz, Heinz. Von Wesen der Oper. Opernkomponisten über die Oper, 100
Krehbiel, Henry Edward. Chapters of Opera: Being Historical and Critical Observations
and Records Concerning the Lyric Drama in New York from Its Earliest Days Down to
the Present Time,2787; More Chapters of Opera: Being Historical and Critical Obser-
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2791
Kreitner, Kenneth. Robert Ward: A Bio-Bibliography, 2080
Kroó, György. “Duke Bluebeard’s Castle,” 480
Krummel, Donald W. Bibliographical Handbook of American Music,2737; Resources of
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Kubik, Reinhold. Händels “Rinaldo”: Geschichte, Werk, Wirkung, 991
Kuhn, Laura Diane. “John Cage’s Europeras 1 & 2: The Musical Means of Revolution,”
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Kuhns, Richard. “The Rebirth of Satyr Tragedy in Ariadne auf Naxos,” 1713
Kunze, Stefan. “Dramatische Konzeption und Szenenbezug in Wagners Tannhäuser,”
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Da Ponte: Eine glückliche Begegnung zwischen Textdichter und Komponist?” 1283;
Mozarts Opern, 1275; “Per una descrizione tipologica della Introduzionenell’opera
buffa del settecento e particolarmente nei drammi giocosi di Carlo Goldoni e Baldas-
sarre Galuppi,” 853; “Zeitschichten in Pfitzners Palestrina,” 1409
Kurt Weill Foundation. Website <www.kwf.org>, 2100
Kurth, Ernest. Bruckner, 2076; Grundlagen des linearen Kontrapunkts, 2076; “Die
Jugendopern Glucks bis Orfeo,” 895; Romantische Harmonik und ihre Krise in Wag-
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Kushner, David. Ernest Bloch: A Guide to Research, 594
Kuss, Malena. “Nativistic Strains in Argentine Operas Premiered at the Teatro Colón
(1908–1972),” 2117; “Symbol und Phantasie in Ginasteras Bomarzo,” 866; “Type,
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Küster, Konrad. “An Early Form in Mozart’s Late Style: The Overture to La clemenza di
Tito,” 1268; “‘Voglio far il gentiluomo’: Zu den dramatischen Strukturen in Mozarts
Don Giovanni,” 1308
Kutsch, Karl Josef, and Leo Riemens. Grosses Sänger-Lexikon, 176
Lachner, Johann, and Hildegard Steinmetz. Das Alte Residenztheater zu München, “Cuvil-
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Lagrave, Henri. Le théâtre et le public à Paris de 1715 à 1750, 2233
Lahee, Henry Charles. Famous Singers of Today and Yesterday, 184; Grand Opera in
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Lajarte, Théodore Dufaure de. Bibliothèque musicale du Théâtre de l’Opéra, 2291
La Laurencie, Lionel de. “Deux imitateurs français des bouffons: Blavet et Dauvergne,”
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Lamkin, Michael Deane. “La forza del virtù oder Die Macht der Tugendof Reinhard
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Landon, H. C. Robbins, and David Wyn Jones. Haydn: His Life and Music, 1019
Index of Authors and Main Entries 591