Lee, M. Owen. “The Exasperated Eagle and the Stoic Saint,” 569; First Intermissions:
Twenty-One Great Operas Explored, Explained, and Brought to Life from the Met, 71;
“Pfitzner’s Palestrina: A Musical Legend,” 1407; Wagner’s “Ring”: Turning the Sky
Around, 2040
Legány, Dezso ̋. Erkel Ferenc Mu ̋ vei és korabeli történetük, 832
Legrand, Raphaelle. “Dardanusde Jean-Philippe Rameau: La première version de 1739,”
1551
Leibowitz, René. Les fantomes de l’opéra. Essais sur le théâtre lyrique, 403
Leicester, H. Marshall. “Discourse and the Film Text: Four Readings of Carmen,” 586
Leicht, Georg, and Marianne Hallar. Det Kongelige Teaters repertoire, 1889–1975, 2213
Leningradskii Gosudarstvennyi Ordena Lenina Akademischskii Teatr Opery i Baleta
Imeni S. M. Kirova, 1917–1967, 2660
Leningradskii Teatr Muzykal’noi Komedii, 2661
Leonard, Richard Anthony. A History of Russian Music, 2637
Leone, Guido. L’opera a Palermo dal 1653 al 1987, 2551
Leoni, Edilio. Un medico e un teatro: Mezzo secolo all’Opera di Roma, 2573
Leopold, Silke, and Robert Maschka. Who’s Who in der Oper, 40
Leopold, Silke. Claudio Monteverdi und seine Zeit,1219; “Idomeneound andere: Drei
kurze Überlegungen zur Analyse Mozartscher Opera im 19. Jahrhundert,” 126
Leppard, Raymond. Authenticity in Music, 333
Le Sage, Alain René. Le Théâtre de la Foire, 2243
Lesnig, Günther. “50 Jahre Arabellaan der Wiener Staatsoper,” 1710; “50 Jahre Capric-
cio,” 1717; “60 Jahre Die schweigsame Frau,” 1746; “70 Jahre Ariadne auf Naxos,”
1715 ;“70 Jahre Die ägyptische Helena,” 1707; “75 Jahre Die Frau ohne Schatten,”
1735; “75 Jahre Elektra,” 1722; “100 Jahre Guntram,” 1739
Lessem, Alan Philip. Music and Text in the Works of Arnold Schoenberg: The Critical
Years, 1908–1922, 1630
Lessing, Gotthold E. Handbuch des Opern-Repertoires, 41
Lesure, François. L’opéra classique français, 17e et 18e siècles, 2266
Letellier, Robert I. “History, Myth and Music in a Theme of Exploration: Some Reflections
on the Musico-Dramatic Language of L’africaine,” 1190
The Letters of Beethoven, 492
The Letters of Claudio Monteverdi, 1215
Letters of Giacomo Puccini: Mainly Connected with the Composition and Production of
His Operas, 1447
Leukel, Jürgen. Studien zu Puccinis “Il trittico,” 1498
Levarie, Siegmund, and Ernst Levy. Musical Morphology: A Discourse and a Dictionary,
397
Levarie, Siegmund. “Don Giovanni’s Three Women,” 1309; “Das Fermaten-Motiv in Così
fan tutte,” 1302; “Key Relations in Verdi’s Un ballo in maschera,” 1868; Mozart’s “Le
nozze di Figaro”: A Critical Analysis, 1322; Musical Italy Revisited: Monuments and
Memorabilia; A Supplement to Guidebooks,2426; “Papageno und Pamina,” 1338; “A
Pitch Cell in Verdi’sUn ballo in maschera,” 1868; “Two Fairy-Tale Operas: A Com-
parison,” 1337
Levey, Richard N. Annals of the Theatre Royal, Dublin, from Its Opening in 1821 to Its
Destruction by Fire, 2421
Levin, David J. “Moses und Aron: Some General Remarks and Analytical Notes for Act 1,
Scene 1,” 1634; Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of
Disavowal, 2050
Lewin, Michael. Harry Kupfer, 312
Lewsey, Jonathan. Who’s Who and What’s What in Wagner, 1970
Lewy, Patricia. “Burgtheater, Vienna, 1873–1891: The Singers and Their Repertory,” 2157
Libby, Dennis Albert. “Gasparo Spontini and His French and German Operas,” 1681
The Librettos of Handel’s Operas, 965
Liebermann, Rolf. En passant par Paris: Opéras, 313
Index of Authors and Main Entries 593