Opera

(Marvins-Underground-K-12) #1

Ligeti, 1113
Liggett, Margaret M. “A Biography of Niccolò Piccinni and a Critical Study of His La
Didoneand Didon,” 1413
Lindenberger, Herbert Samuel. Opera in History: From Monteverdi to Cage, 81; Opera:
The Extravagant Art, 404
Lindgren, Lowell. “A Bibliographic Scrutiny of Dramatic Works Set by Giovanni and His
Brother Antonio Maria Bononcini,” 606; “Le opere drammatiche ‘romane’ di Francesco
Gasparini (1689–1699),” 853; “The Staging of Handel’s Operas in London,” 950; “The
Three Great Noises ‘Fatal to the Interests of Bononcini,’” 605; “I Trionfi di Camilla,”
606
Lindner, Thomas. “An Integral Catalog of Donizetti’s Operatic Works,” 760; “Rossini’s
Aureliano in Palmira: A Descriptive Analysis,” 1581a
Link, Dorothea Eva. “L’arbore di Diana: A Model for Così fan tutte,” 1268; “The Da
Ponte Operas of Vicente Martin y Soler,” 1152; The National Court Theatre in Mozart’s
Vienna, 2156
Lippmann, Friedrich. “Bellini’s Opern-Daten in Quellen,” 503; “Die Feenund Das
Liebesverbot, oder die Wagnerisierung diverser Vorbilder,” 2017; “Giovanni Pacini:
Bemerkungen zum Stil seiner Opern,” 1369; “Haydn und die opera buffa: Vergleiche
mit italienischen Werken gleichen Textes,” 1027; “Haydns opere serie: Tendenzen und
Affinitäten,” 1026; “Die Melodien Donizettis,” 781; “Per un esegesi dello stile rossini-
ano,” 1580; “Lo stile belliniano in Norma,” 516; “Su La straniera,” 521; “Über
Cimarosas opere serie,” 708
Lipton, Kay A. “The opere buffeof Pietro Alessandro Guglielmi in Vienna and Esterháza:
Contributions to the Development of opera buffabetween 1786 and 1793,” 937
List, Rudolf. Oper und Operette in Graz, 2158
Littlejohn, David. “Panel Discussion on Performance, Interpretation, Staging and Audi-
ence Response to the Ring,” 2049; “Reflections on Peter Sellars’s Mozart,” 322
The “livrets” of Jean-Baptiste Lully’s “tragédies lyriques”: A catalogue raisonné, 1124
Lloyd-Jones, David. Boris Godunov: Critical Commentary and Musical Appendices, 1354
Lo, Kii-Ming. “Giacomo Puccini’s Turandotin Two Acts: The Draft of the First Version of
the Libretto,” 1505; “Turandot” auf der Opernbühne, 1504
Lochhead, Judy. “Lulu’s Feminine Performance,” 528
Locke, Ralph P. “Constructing the Oriental ‘Other’: Saint-Saëns’ Samson et Dalila,” 1601
Lockspeiser, Edward. Debussy, 732; Debussy: His Life and Mind, 733
Lockwood, Lewis. “The Element of Time in Der Rosenkavalier,” 1695
Loewenberg, Alfred. Annals of Opera, 1597–1940, 106; “Gluck’s Orfeoon the Stage with
Some Notes on Other Orpheus Operas,” 911
Loisel, Joseph. “Lakmé” de Léo Delibes: Ètude historique et critique, analyse musicale,
746; Manon de Massenet: Étude historique et critique, analyse musicale, 1168
Lonchampt, Jacques. L’opéra d’aujourd’hui, journal de musique, 430
London Musical Events, 2702*
The London Stage, 1660–1800: A Calendar of Plays, Entertainments and Afterpieces,
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Richard Wagner’s Ring of the Nibelung,” 2034
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italienischer Oper, 1614; Das Geheimnis der Form bei Richard Wagner, 2002
The Lost Chord: Essays on Victorian Music, 2701
Love, Harold. The Golden Age of Australian Opera: W. S. Lyster and His Companies,
1861–1880, 2125
Loveland, Karl. “Reading Donizetti’s La fille du regiment: Genesis, Transformation, and
Interpretations,” 796
Lowinsky, Edward E. “Taste, Style and Ideology in Eighteenth-Century Music,” 2259
Lubbock, Mark Hugh. The Complete Book of Light Opera, 200
Ludwig van Beethoven Werke, 486


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