Opera

(Marvins-Underground-K-12) #1

1901; “Falstaffand Verdi’s Final Narratives,” 1883; “Insolite forme, or Basevi’s Garden
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Motivic Definition in Verdi’s Ernani,” 1878; “Maria Padilla: Some Historical and Ana-
lytical Remarks,” 802; “Motives and Recurring Themes in Aida,” 1868; “On Reading
Nineteenth-Century Opera: Verdi through the Looking Glass,” 1833; Studies in Early
Verdi (1832–1844): New Information and Perspectives on the Milanese Musical Milieu,
and the Operas from “Oberto” to “Ernani,” 1831; “Va pensieroand the Insidious Mas-
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Grand Opera,” 2299
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French Opera of the 19th Century,” 2269; Eugène Scribe and French Opera of the Nine-
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