A Guide to Eighteenth Century Art

(Marvins-Underground-K-12) #1

Lock, Leon E. 2010. “Picturing the Use, Collecting and Display of Plaster Casts in Seventeenth and
EighteenthCentury Artists’ Studios in Antwerp and Brussels.” In Plaster Casts: Making, Collecting
and Displaying from Classical Antiquity to the Present, edited by Rune Frederiksen and Eckhart
Marchand, 251–268. Berlin and New York: De Gruyter


Locke, John. 1694. An Essay Concerning Human Understanding, 2nd edition. London: Dring and
Manship


Longmore, Jane. 2013. “Rural Retreats: Liverpool Slave Traders and Their Country Houses.” In Slavery
and the British Country House, edited by Madge Dresser and Andrew Hann, 43–53. Swindon: English
Heritage


Losty, J.P. and Malini Roy. 2012. Mughal India: Art, Culture and Empire: Manuscripts and Paintings in
the British Library (exh. cat.). London: The British Library


Luxenberg, Alisa. 1997. “Figaros and Free Agents: Some Perspectives on French Painters in Eighteenth
Century Spain.” In Painting in Spain in the Age of Enlightenment: Goya and His Contemporaries (exh.
cat.), edited by Ronda Kasl and Suzanne L. Stratton, 39–64. Washington DC: University of Washington
Press.


MacDonald, M.F. 1989. “British Artists at the Accademia del Nudo in Rome.” In Academies of Art:
Between Renaissance and Romanticism, by Anton W.A. Boschloo, Elwin J. Hendrikse, Laetitia C. Smit
and Gert Jan van der Sman, 77–91. 'sGravenhage: SDU Uitgeverij


Macmillan, Duncan. 1986. Painting in Scotland: The Golden Age. Oxford: Phaidon Press


Macsotay, Tomas. 2010. “Plaster Casts and Memory Technique: Nicolas Vleughel’s Display Of Plaster
Casts After the Antique in the French Academy in Rome (1725–1793).” In Plaster Casts: Making,
Collecting and Displaying from Classical Antiquity to the Present, edited by Rune Frederiksen and
Eckhart Marchand, 181–196. Berlin and New York: De Gruyter


Masterpieces of Chinese Painting 700–1900 (exh. cat.). 2013. London: V and A Publishing


Matheson, C. 2001. “‘A Shilling Well Laid Out’: The Royal Academy’s Early Public.” In Art on the Line:
The Royal Academy Exhibitions at Somerset House 1780–1836, edited by David H. Solkin, 39–53. New
Haven and London: Yale University Press


Maza, Sarah. 1997. “The “Bourgeois” Family Revisited: Sentimentalism and Social Class in
Prerevolutionary French Culture.” In Intimate Encounters: Love and Domesticity in Eighteenth
Century France (exh. cat.), edited by Richard Rand, 39–47. Princeton: Princeton University Press


McCausland, Shane. 2013. “Categories of Chinese Painting.” In Masterpieces of Chinese Painting 700–
1900 (exh. cat.), 41–51. London: V and A Publishing


McClellan, Andrew. 2008. The Art Museum from Boullée to Bilbao. Berkeley: University of California
Press


McGregor, Neil. 2014. Germany: Memories of a Nation. London: Allen Lane


McWilliam, Neil (editor), Vera Schuster and Richard Wrigley, with the assistance of Pascale Méker.



  1. A Bibliography of Salon Criticism in Paris from the Ancien Régime to the Restoration.
    Cambridge: Cambridge University Press

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