A Guide to Eighteenth Century Art

(Marvins-Underground-K-12) #1

Solkin, David H. 1993. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth
Century England. New Haven and London: Yale University Press


Solkin, David H. 2001. “‘This Great Mart of Genius’: The Royal Academy Exhibitions at Somerset
House, 1780–1836.” In Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836,
edited by David H. Solkin, 1–8. New Haven and London: Yale University Press


Solkin, David H. 2007. “‘Conquest, Usurpation, Wealth, Luxury, Famine’: Mortimer’s Banditti and the
Anxieties of Empire.” In Art and the British Empire, edited by Tim Barringer, Geoff Quilley and Douglas
Fordham, 120–138. Manchester: Manchester University Press


StanleyBaker, Joan. 2000. Japanese Art, 2nd edition. London: Thames and Hudson


Sunderland, John and David H. Solkin. 2001. “Staging the Spectacle.” In Art on the Line: The Royal
Academy Exhibitions at Somerset House 1780–1836, edited by David H. Solkin, 23–37. New Haven and
London: Yale University Press


Susato, Ryu. 2006. “Hume’s Nuanced Defense of Luxury.” Hume Studies 32(1): 167–186


Tarabra, Daniela. 2006. European Art of the Eighteenth Century, translated by Rosanna M. Giammanco.
Los Angeles: The J. Paul Getty Museum


Terjanian, Anoush Fraser. 2013. Commerce and its Discontents in EighteenthCentury French
Political Thought. Cambridge: Cambridge University Press


Thomas, Chantal. 2001. The Wicked Queen: The Origins of the Myth of MarieAntoinette . New York:
Zone Books.


Thygesen, A.L. 1989. “The Early History of the Danish Royal Academy Library.” In Academies of Art:
Between Renaissance and Romanticism, by W.A. Boschloo et al., 511–519. 'sGravenhage: SDU
Uitgeverij


Tinios, Ellis. 2010. Japanese Prints: Ukiyoe in Edo . London: The British Museum Press


Tite, Catherine. 2013a. “Introduction.” In Patronage, Visual Culture, and Courtly Life in Eighteenth
Century Germany and England, edited by Catherine Tite, 1–12. New York: Cambria Press


Tite, Catherine. 2013b. “‘The Idiom of the People of Fashion’: Court, City, and Courtly Painters in
EighteenthCentury Kassel”. In Patronage, Visual Culture, and Courtly Life in EighteenthCentury
Germany and England, edited by Catherine Tite, 35–50. New York: Cambria Press


Tomlinson, Janis. 1994. Francisco Goya y Lucientes 1746–1828. London: Phaidon Press


Touati, AnneMarie Leander and Johan Flemberg [trans. Martin Naylor]. 2013. Gustav III’s Museum of
Antiquities. Stockholm: Nationalmusem


Truettner, William H. 2010. Painting Indians and Building Empires in North America, c.1710–1840.
Berkeley, Los Angeles and London: University of California Press


Trusted, Marjorie. 2008. The Return of the Gods: Neoclassical Sculpture in Britain (exh. cat.). London:
Tate Publishing


Tullett, William. 2015. “The Macaroni’s ‘Ambrosial Essence’: Perfume, Identity and Public Space in

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